Now in its third year, Short Run is a women-owned arts organization in Seattle that celebrates small press in all its forms, from zines, comics, art books, and more. We have events planned all throughout November, leading to a spectacular book fair at historic Washington Hall on Saturday, November 30th with over 120 writers and artists in attendance.
Bitch asked us to put together a list of our favorite small press artists from the festival. Grab a copy of these wherever you can find them!
If your sexual education was anything like mine, every few years you and your peers were rallied into crowded classrooms, separated by gender, and were schooled on the happenings of your body. By the time you were in high school, you may have been fortunate enough to receive some vague and heteronormative information about STIs and how abstinence is the best (and only) form of birth control. Problematic? Yeah.
Saiya Miller and Liza Bley thought so, too, and compiled a collection of comics over the course of five years to educate others on sexuality in a far more inclusive and honest manner. The comics and stories are frank and real, free of the sugar coating that pervades the typical two-day sexual education courses rampant in U.S. public schools.
• Also in questionable censorship news, Clear Channel refuses to air ads about women's reproductive health care on the grounds of indecency. Sign WAM's petition to unblock this important information from the airwaves. [Women, Action, & The Media]
• Robin Thicke's song "Blurred Lines" is all over the radio this summer--Boylesque group Mod Carousel teamed up with vocalists Caela Bailey, Sydni Devereux, and Dalisha Phillips to challenge the song with this great genderswap parody. [Huffington Post]
What did we miss? Let us know what you're reading in the comments!
I walked into Other Music in New York's East Village, and asked the bearded, plaid-ed clerk, hoping he had the iconic music zine's 17th print edition in stock.
His Beardedness pointed me to a shelf with several other too-cool-for-school publications, and there it was: in all of its horizontal, blue, Grass Widow-covered glory, "legendary indie nerd bible" chickfactor.
I'll admit, I kind of fudged when I said this would be a three-part series about zine artists I love. Honestly, I could probably do a fifty part series on zine artists I love, then publish it as a memoir called Can I Be You? But I'm not doing that, and instead, I'm going to take a few minutes to tell you about something really important. A couple of weeks ago, you might have stopped by the Portland Zine Symposium (or any zine fest anywhere) and thought to yourself "Wow, there are a lot of white people here, where are all the zinesters of color?" Or at least, that's what I was thinking. I scoured the entire space looking for people of color only to find one table all alone, in the back of the warehouse. One amazing table, to be sure,, but I still left wishing for something more. I'd imagine Daniela Capistrano had some similar thoughts when she founded the People of Color Zine Project in 2010 in order to make zines by folks of color accessible, available, and distributable for all, because really, these things can be incredibly hard to find in such white dominated DIY, activist, and artist communities.
Cristy C. Road, a Miami-raised, Brooklyn-based, Cuban-American illustrator, writer, and of course, total dreamboat, is no stranger to DIY, punk, queer, zine, and activist communities all over the place, and certainly no stranger to the pages of Bitch magazine. You might recognize her work from covers of books such as We Don't Need Another Waveand The Revolution Starts at Home, or maybe you've caught her on tour with Sister Spit The Next Generation when they rolled through your town, or perhaps you've flipped through an issue or two of Green Zine, or you stole your ex's copy of Bad Habits, or you saw her band play in someone's basement, or maybe you've never heard of her at all, but basically, she's a big deal, not to mention a badass. This is what happened when I sat down for a chat with her on a sunny Friday morning, pajamas on, and breakfast in hand. Cristy shared her feelings about everything from her art, to astrology, to racial dynamics in radical communities, to cats and brunch. It's all here for you to read, so let's get started!
You know when you come across a super rad zine artist and you're really into their work, then you casually waltz into a comic shop, and you find one or two of their zines from years and years ago, but you get pretty bummed that the zine and comic shops in your area don't have a sufficient selection, so you scour the Internet but can only find so many other things, then you realize you've wasted hours looking for who has the lowest shipping costs? You then proceed to read every interview with them, you learn all you can about their life, then you step back for a minute, and it hits you—maybe you're a little obsessed with the artist and you feel weird about it, but you end up e-mailing them professing your undying love for them and their work anyway? Please tell me this isn't something only I go through.
Regardless, starting right here, right now, I will be taking you on a journey, showing you why I love three incredible queer zine artists, and why you should love them too.
This past weekend, we were lucky enough to table at the 11th Portland Zine Symposium. We love the PDX Zine Symposium because we always end up with a big pile of zines at the office come Monday morning. Kjerstin, Ann, and I decided to share some of the zines that piqued our interest at the zine symposium this year. We hope that you'll decide to pick up some of these zines yourself.