I used to love My Two Dads. To recap, or in case you (shocked face) never saw it: the show was about two single, straight Manhattan bachelors who were given joint custody of 12-year old Nicole after her mom/their joint ex-girlfriend died. Living with just one mom, I was fascinated by a show that centered around a girl's relationship with her two fathers. Except I re-watched some of it recently, and it's not about that at all.
I don't have exact stats, but it seems like the vast majority of shows and movies about single and stay-at-home dads feature a father-daughter dynamic. This could lead to some interesting explorations of what it means to parent a child with a different gender to your own in our patriarchal society. But most often, it's a way to reinforce society's discomfort with young women's sexuality.
My full-length interview with Chally, who talks about her love of sci-fi, why it's problematic to have feminist "icons," her experience as a teen in social justice movement, and of course, the internet! (The post title is tongue-in-cheek, by the way, she's anything but, as you'll see.)
You only have to look to the history of Star Trek– inspired music—ranging from surf-punkers No Kill I to the Klingon heavy-metal band Stovokor—to see that fantasy and science- fiction fans have made music devoted to their obsessions for generations. Nothing in the history of fandom, though, can compare to wizard rock, a thriving subculture of musicians and fans devoted to Harry Potter–inspired rock 'n' roll. But don't let the name fool you: It's witches, not wizards, who dominate this scene.
The other night I saw this in a bar, and could not figure out what it was a commercial for (especially since I couldn't hear the sound!) It seemed kinda fishy and it turned out it was:
It's from a 2007 PSA campaign put together by the Ad Council and the U.S. Department of Justice and National Center for Missing & Exploited Children to Prevent Online Sexual Exploitation (mouthful!) I know I've seen at least a couple more and they all leave a bad taste in my mouth.More after jump...
In an era when it’s possible to turn on the television on any given night and see a clutch of bikini-clad women crawling over their male prey (ABC’s The Bachelor), a sex-toy demonstration (HBO’s Real Sex), or a 9-year-old showing off her moves on her parents’ personal stripper pole (E!’s Keeping Up with the Kardashians), Wendy Shalit’s assertion that modesty has made a comeback seems a little, well, optimistic.
It’s a refrain we’re sick and tired of hearing: Feminism doesn’t speak to young women. Girls just aren’t interested in feminism. Self-proclaimed feminists lament it; non-feminists think it proves that feminism is not only unimportant, but outdated. This simplification of the concerns of girls may make for a good sound bite, but it begs for some serious examination.