In the last year, it seems like movie studios have learned that audiences actually want to watch movies that center on smart female leads. I know it sounds absurd but, by God, let’s run with it. Somewhere in a flat above Diagon Alley, Hermione Granger is sleeping soundly.
This month, the final book in Karen Sandler's dystopian young adult sci-fi series Tankborn hits the shelves. I profiled the series last year on Bitch as part of a series on portrayals ofgirls of color in dystopia and eagerly awaited the series' third-and-final title, Rebellion.
Did you know the American Library Association has a Feminist Task Force? Of course they do. Each year, a group of people from this task force undertake a mission called the Amelia Bloomer Project where they name the best feminist books of the year for young readers.
What happens when two great black women fiction writers get together to talk about race in young adult literature? That's exactly what happens in the conversation below, where Zetta Elliott (below left), a black feminist writer of poetry, plays, essays, novels, and stories for children, and award-winning Haitian-American speculative fiction writer Ibi Aanu Zoboi (below right) decided to discuss current young adult sci-fi.
A Mighty Girl is aimed, as its name suggests, at girl readers, but I have sons. Does the site have anything to offer feminists shopping for boys? Site co-founder Carolyn Danckaert is passionate about nonsexist children's and young adult literature. She and I talked about tracking down feminist-friendly YA books for kids.
This is my last post on the Girls of Color in Dystopia guest blog series. I've read nearly 40 books just for this series and was disappointed (but, sadly, not surprised) to realize just how many of them have few to absolutely no girls of color in them.
When I first picked up Nalo Hopkinson's The Chaos last summer, I thought, "Finally! A book with a young woman of color as the protagonist!" Of course, I've since learned that there are other dystopic novels with girls of color, but this hasn't ended my love forThe Chaos even after a second (and third) reading.
The Chaos isn't actually set in a dystopia. It's more of a post-apocalyptic world in which Toronto transforms from its usual racist, misogynist, able-ist normalcy to utter chaos, complete with hoodie-wearing sasquatches, escalators that ask questions about quantum physics, and Baba Yaga and her flying house.
People of color are often seen as the exceptions in predominantly white societies' mass media, like US literature. Let's look at race and gender in two dystopic young adult scenarios in which the exceptional group is not people of color, but clones they've created.
Kat Zhang's What's Left of Me takes the mass suspicion, xenophobia, and hysteria that's become normalized since 9/11 and sets it in an alternate United States where people are born with two personalities inside one body.