Leroy Moore is a man of action: poet, community activist, artist, feminist... the list goes on. Spend any time in the crip community and his name will inevitably surface, which should come as no surprise. Moore is a walking archive of disability art and history with a gift for broad networking, highlighting artists and activist projects from the Bay area to the Democratic Republic of the Congo. He can school you on disabled musicians from the days of yore, but it must be noted that this man has his finger on the pulse of the vibrant disability art scene- a scene that has blossomed in no small part due to his dedication to spotlighting the intersections of race, social justice, art and crip culture. Additionally, he can wear the hell out of a tuxedo.
Spin Magazine recently ran a comprehensive and funny piece called “The 50 Biggest White Girl Rap Moments Of All Time.” Being a white woman who vehemently loves rap music, best believe I ate that ish up. Some MCs mentioned were genuinely talented (Dessa, Princess Superstar), others... not so much. There is, as the magazine states, a “checkered” history in white girl rap (cough cough Kreayshawn cough cough Fergie). One artist who didn’t make the cut (but certainly will next round) is the one and only Kalyn Heffernan of Denver’s Wheelchair Sports Camp.