Water! It's pretty important and beautiful and easy to use as a metaphor, so it turns out there are a lot of great songs about it. This mix features songs from Rae Spoon, Your Heart Breaks, Kimya Dawson, and Mos Def. Enjoy!
However, today, a question lingers with this sense of relief: Which families even have inner courtyards? Which families have traditionally segregated their women? Historically, it has always been the privileged few—the upper-castes and classes of the Indian social order within most religions—that have practiced veiling, segregation, and separation. This isn't to pit the working classes against the bourgeoisie, or the Dalits against the upper-castes, or any community, for that matter, against another. These communities do not inherently become evil or overtly patriarchal just because they practice segregation. Neither do communities that do not veil their women, for instance, become immediately resistant. Sometimes, it all comes down to who can afford to have their women not venture out of the house, or who can afford to have working women veiled in a manner that will not interfere with their labor practices. How did some of us start voicing the experience of all?
Toronto-based filmmaker Deepa Mehta was born in Amritsar, India in 1949. Because her father was a film distributor and theater owner, she was exposed to film at a very early age. She grew up watching commercial Indian cinema, and realized the emotional power of cinema when she was just thirteen.
She went to the University of Delhi, where she received a degree in philosophy. With no formal training in filmmaking, she began her career after graduation when she joined a company making documentaries. She moved to Toronto at the age of 23, where she began to create films that would soon establish her as a talented and controversial filmmaker.
Mehta describes herself as "a citizen filmmaker of the world. Or at least one that has one foot in India and one in Canada." She initially moved to Toronto with plans to move back to India, but ended up staying and becoming a Canadian citizen. Her films, however, are mostly set in India, and they challenge traditional beliefs prevalent in Indian culture. As a result of her controversial subject matter, her films have been fiercely protested by various Hindu fundamentalist groups. Because of this, Mehta is often accompanied by armed bodyguards when traveling in India.