I'm reliably informed that the poster (right) grandly named L'Enfant but more commonly known as Man and Baby wasn't a phenom in the United States like it was in the U.K. Here, it capitalized on the worldwide success of Three Men and a Baby and perfectly captured the sensitive man zeitgeist of the late '80s, becoming one of the country's top-selling posters of all time.
Honestly, I never understood its popularity. Sure, the guy was hunky in that Levi's ad beefcake way, but what was the baby adding? Even as a kid, I associated having children with stress and domesticity; I didn't yet understand that a man caring for his child was considered a novelty.
As much as I adore music videos at dance parties, watching choreographed dance moves on a giant screen in public typically does one of two things to me: infuses my limbs with rhythmic possibilities (rare), or yanks the slippery beat from under my dance shoes (less rare). Sometimes if I'm not in a dancing mood (or able to shake it in my current location) watching someone else dance provides a kind of psychic fulfillment. I hope Austra and CocknBullKid's new singles give you just that! Directly after sits a sedentary vogue-free video by Planningtorock. Apart from inviting you to a video dance, this B-Sides provides hope for the swarms of PTR fans who, like myself, have been chewing their nails impatiently for five years on the edge of the dance floor waiting for her sophomore release!
Born and raised in Copenhagen, and influenced by reggae, disco, rock, R&B, and then some! No news of an album release in the US, but if you're in Denmark look for it in February. Til then you'll have to tide over with her first single, "Deep Sleep" about staying in bed, which is ironic, cause it's a song that makes you want to get up and dance! It's a got a boppy sort of teenage feel but there is a really great interlude that incorporates a Malian lullabye.
Elly Jackson is half of this duo who've established themselves in England but have yet to make it big in the States. Between her lungs and Ben Langmaid's synth they are makings some impressively infectious electronic pop! (And she's cited David Bowie, Madonna, Annie Lennox, and Molly Ringwald as influences.) When I heard "Bulletproof" it reminded me of the Gossip(!) at first, but and then it made me think of Ace of Base (!!), and then and by the time it over I realized that La Roux is awesome on their own was and striking out to make their own sick version of synthpop.
This trio started out punk, but bassist Shingai Shoniwa had too powerful a voice to play London's warehouse-squat scene forever (so I'm told by the New York Times. Also check out Venus Zine's 2007 interview with them!). You might recognize the dance-y "Don't Upset the Rhythm" but they've got a whole album of pop-electro-punk that just got released in the US last week (which hopefully means they'll be heading back here soon for a tour!).