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True Blood

Bitch Popaganda: Wise Blood Edition

Audio post by Kelsey Wallace, Submitted by Kelsey Wallace on July 29, 2011 - 11:00am; tagged addiction, Amy Winehouse, Bitch Popaganda, Elisabeth Badinter, podcasts, True Blood.
Bitch Popaganda logo in black and pink

Welcome back to another episode of Bitch Popaganda! Tune in as Andi, Deb, and Kelsey discuss addiction in the media, Elisabeth Badinter in the New Yorker, and True Blood.



Links after the jump!
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True Blood: A Werepanther Rape is Not a "Sex Scene"

TV post by Kelsey Wallace, Submitted by Kelsey Wallace on July 11, 2011 - 1:11pm; tagged HBO, rape, True Blood, tv, werepanthers.
Last night's episode of True Blood contained the usual outrageous plot twists and soap opera-levels of drama, which is great and which is why I (and probably you if you're reading this) look forward to summer Sunday nights. However, it also contained a totally fucked-up gang rape scene which the show's creators (and many media outlets) are calling anything but.
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Pop Pedestal: Lafayette Reynolds

TV post by Kelsey Wallace, Submitted by Kelsey Wallace on June 2, 2011 - 12:34pm; tagged Lafayette Reynolds, Pop Pedestal, True Blood.
Lafayette Reynolds, a young black man, sits against a tree and looks at the camera. He's wearing a tank top and a headscarf

Since True Blood comes back this month, it seemed like the perfect time to dedicate a Pop Pedestal to one of Bon Temps most inspirational citizens: Lafayette Reynolds.
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Tube Tied: "The Bridge of You and Me Ain't Never Gonna Happen": Against True Blood

TV post by Michelle Dean, Submitted by Michelle Dean on September 14, 2010 - 1:49pm; tagged genderqueer, race, True Blood, Tube Tied, tv.
I... don't really understand the fuss about True Blood.

I understand that the show employs very attractive people, and that those people have very attractive sex quite often. I also understand that it involves stories about vampires and werewolves, which increasingly seems to be the only growth industry left in the American economy. I also understand that we are going through a time in the culture where escapism is an increasingly attractive alternative to everyday life. I further have not read the books that form the basis for the show; I admit they may be better than the televised version.

But this is a show which features dialogue that is George-Lucas levels of terrible, horrible, no-good and very bad, delivered by actors whose amusement with the campy material they are being offered appears to have been exhausted by the time they've appeared in more than three episodes.

Spoilers and more after the jump!

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