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The Wire

The Gals in Blue: Where Are the Real-Life Olivia Bensons?

Women's Work post by Grace Bello on March 12, 2013 - 10:11am; tagged Castle, Kima Greggs, Law & Order: SVU, Penny Harrington, police, The Wire.

Law and Order: Special Victims Unit

On TV, successful female cops populate some of our favorite shows. From Law and Order: Special Victims Unit's Olivia Benson(Mariska Hargitay) to The Wire's Kima Greggs (Sonja Sohn) toThe Closer's Brenda Johnson (Kyra Sedgwick) to Castle's Kate Beckett (Stana Katic), we see women in law enforcement apprehending sex offenders, performing stellar detective work, nailing interrogations, and closing cases. But in real life, women make up a surprisingly small percentage of police forces. 

The U.S. Department of Justice cited the following statistics in the 2010 report Women in Law Enforcement:

In 2007, women accounted for about 15% of the total sworn law enforcement officers in large local police departments. In large sheriffs’ offices, female officers comprised about 13% of the total sworn officers. In contrast, local police departments with between 1 and 10 full-time sworn officers employed fewer than 2,000 female law enforcement officers nationwide (6%). Small sheriffs’ offices across the county employed just over 200 total sworn officers who were women (4%) in 2007.

 

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Pop Pedestal: Kima Greggs

TV post by Kelsey Wallace on May 12, 2011 - 2:44pm; tagged Kima Greggs, Pop Pedestal, The Wire.
It's time for another Pop Pedestal, the series where we pay tribute to fictional characters we admire. Up today is Detective Kima Greggs of HBO's The Wire, played by Sonja Sohn.

Kima Greggs, a young black woman with her hair pulled back, looks off camera. She is wearing a blue collared shirt. Kima's on the case!
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Tube Tied: The Wire, Mad Men, and the Ideal of Inclusivity in Popular Culture

TV post by Michelle Dean on October 13, 2010 - 12:22pm; tagged diversity, Mad Men, The Social Network, The Wire, Tube Tied, tv.
I've been following the discussion about the representativeness of The Social Network, about whether it accurately depicts women and "toxic masculinity" in technology particularly—a conversation which, as I said last week, I've been sort of surprised we're even having. Such a jaded feminist have I become, I guess, since I'm now actively surprised when people actually care about how women are depicted in this culture, but I digress. Personally, I thought the movie was sufficiently infused with internal comment on the misogyny of its characters that I wasn't as upset as I might have been by it's flat depiction of femininity.

I’m hardly the first to observe this sort of thing, of course, but I am, lately, obsessed with this question of how you reconcile your politics to your art. Rather than wade into the discussion on The Social Network particularly, though, since I'm only supposed to be blogging about television here, let’s just situate some of these issues in that context.

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Tuning In: Treme's musical gender gap

TV post by Alyx Vesey on May 12, 2010 - 9:51am; tagged Big Freedia, bounce, David Simon, Galactic, HBO, India Ennega, Katey Red, Katrina, Lucia Micarelli, New Orleans, Rebirth Brass Band, sissy bounce, Sissy Knobby, The Wire, Treme, Tuning In.
As Treme completes the first half of its inaugural season, I'm still waiting for women and girls to make a real impact on the show's musical environment.

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