There's not a whole lot I have to say about Police Women of Memphis as a show in general. I think that glorifying a very problematic justice system as this show seems to do is probably not fantastic. But, I like that it depicts ladies in positions of authority, being competent. It's also cool that many of these women are of color. And one of the cops on the show is named "Virginia Awkward", which is a pretty kickass name.
PWOM came to my atttention this weekend after I heard of its depiction of an almost radical act. It portrayed women as being worthy of respect, and protection. As not deserving of sexual harassment. This in itself would be worthy of praise. But this depiction is particularly worthy of singling out because the women being protected were trans women. And in a media environment that generally depicts trans women as deceptive, predatory, disgusting, and generally less than human, that's exceptional.
United States of Tara, a show about a woman with Dissociative Identity Disorder (DID), recently wrapped up its second season. I haven't yet seen it, but I thoroughly enjoyed the first season—I love Toni Collette and Diablo Cody, and there are not a ton of shows about women by women. There are even less shows set in my home state of Kansas. It's a funny, well-written, and on some levels well-executed show.
But, after rewatching and researching the show's origins and authorship in a critical context, I was perturbed to realize that the show's portrayal of disability was not only sensationalistic, but inherently based on appropriatiion. In United States of Tara, DID is used as a metaphor, an analogy, a plot point—part of the human experience, yes, but also an opportunity to speculate, crack jokes, and make grand statements about Life (normal life: that is, with able privilege) and Being A Woman (an everyday woman: that is, one who is not crazy).