Photo: Kristin Wiig, crying some beach tears in Girl Most Likely.
There's a certain risk involved in being excited for a film. High expectations often lead to disappointment, especially when you spend two years anticipating a film.
Such was the case with Girl Most Likelyand me. When I first heard about this film, it was called Imogene and still in pre-production. The premise intrigued me immediately: a female playwright fakes a suicide attempt and is forced into the custody of her overbearing mother.
Kids are indeed the future and so they're also the site of great moral panic. As more kids are skipping the closet, debate rages on about what is appropriate to "expose" young people to—which also raises the question of what is appropriate to acknowledge as already existing in young people's experiences. And because it is easier to recognize the specificity of queer sexuality, sociality, and familial forms in the face of unmarked mainstream culture—where hetero love stories provide the narrative framing for most cultural products—youth and non-normative sexuality are a fascinating and revealing combination. (Maybe my next post will be on why the Disney Princesses have made the "PC" leap to include a princess of color but won't be advertising a lesbian princess any time soon?) So in this series, I want to ask: How have discourses of sexuality and gender been transformed in the context of youth? Who gets to speak for kids? Where do young people receive their most influential messages about the values around sex, sexuality, and gender, and their proper performance?