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Adventures in Feministory: Mary Elizabeth Bowser and Elizabeth Van Lew, Co-conspirators Against the Confederacy

History post by Bianca Butler, Submitted by Bianca Butler on March 19, 2012 - 9:59am; tagged Civil War, slavery, spies.
Portrait of Mary Elizabeth Bowser in long dress, with hat and caneMary Elizabeth Bowser and Elizabeth Van Lew, a former slave and a wealthy white woman in Richmond, Virginia, might seem unlikely members of a successful espionage ring. Thanks to Hollywood, the typical images surrounding spies include scantily clad women, technological gadgets, and Pierce Brosnan—but this equation would hardly have gone unnoticed during the Civil War. Bowser and Van Lew used society's assumptions about them to their advantage, passing key information along to the Union Army and contributing to the demise of the Confederate States.
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Douchebag Decree: Ernest Perce V, Slavery Billboard Defender

Social Commentary post by Kelsey Wallace, Submitted by Kelsey Wallace on March 15, 2012 - 11:58am; tagged billboard, Douchebag Decree, Ernest Perce V, slavery.

"ye olde douchebag decree" in blue letters with a light blue hand-drawn douchebag in the background, and "BITCH HEREBY DECLARES THE FOLLOWING PERSON A TOTAL DOUCHEBAG" in small letters in red underneath.



In an attempt to protest the Pennsylvania state House's recent designation of 2012 as "The Year of the Bible" (which is admittedly messed up), two atheist groups went the fight-douche-with-douche route last week and erected a slavery-themed billboard in "one of the Harrisburg's most racially diverse neighborhoods." Ostensibly meant to highlight the hypocrisy of the "Year of the Bible," the billboard instead pissed people off because it's racist.
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Adventures in Feministory: Oney Judge

History post by Kelsey Wallace, Submitted by Kelsey Wallace on September 14, 2009 - 5:02pm; tagged Adventures in Feministory, Drunk History, George Washington, Martha Washington, Oney Judge, slavery.
You know how most of the time everyone glorifies the forefathers of this nation and kinda glosses over the f*#$d up parts of our great nation's history? Yeah. Well, that's one reason why it's important to remember people like Oney Judge. Born in 1773 into slavery on the plantation of President Powdered Wig Boner himself (George Washington of course), Judge escaped after being offered up as a WEDDING GIFT to the Washingtons' granddaughter (and you thought that gift card to Target was an inappropriate present). Before we move on into greater detail, I'll let comedian Jen Kirkman take this one over:

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Adventures in Feministory: Anna Elizabeth Dickinson

DigiBitch post by Kjerstin Johnson, Submitted by Kjerstin Johnson on July 27, 2009 - 3:22pm; tagged Adventures In Feministory, American history, Anna Elizabeth Dickinson, Civil War, Feministory, oration, Republican Party, slavery, suffrage.
449px-Anna_Elizabeth_Dickinson_-_Brady-Handy.jpg

feministory_red_orange.jpg
If you think politics today is a boy’s club imagine 1860s America. The Civil War was beginning, slavery was not yet illegal, and women were still a good eighty years from receiving the right to vote. Yet one fiery young woman was able to become a national celebrity through her impassioned speeches on social reform. Anna Elizabeth Dickinson had her first anti-slavery piece published at the age of fourteen. As an advocate for black suffrage in addition to emancipation, and equal opportunity and pay for women in addition to the vote, Dickinson was one of the best-known reformers of her time.
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Cornering the Market

Damali Ayo and the Business of Race
Cornering the Market
Article by Lisa Katayama, appeared in issue Fun & Games; published in 2005; filed under Social commentary; tagged activism, art, politically incorrect, race, racism, slavery, stereotypes, tokenism.
Damali Ayo and the Business of Race
Fun & Games

When Damali Ayo was 12, her parents sent her to day camp with 20 white kids. The kids were fascinated by the way Ayo’s hair maintained its texture in the pool. Even after she deliberately dunked her head in the water, they were convinced that black hair doesn’t get wet.

This experience stuck with her as she launched her art career in the predominantly white city of Portland, Oregon. Ayo often felt she was the token black person relied upon for opinions and advice precisely because of her skin color.

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