science fiction

GeekRadical.org is in its final push in a Kickstarter campaign to publish a Feminist Speculative Fiction anthology through PM Press. The goal is to “emphasize women's speculative fiction from the mid-1970s onward, looking to explore women's rights as well as gender/race/class/etc. from as many perspectives as possible.”

In a recent interview with Samantha Burton for Bitch, Kenyan writer-director Wanuri Kahiu recalled a lovely endorsement she received from a film festival attendant in Zanzibar. Speaking of her 2009 short Pumzi, he said:

“If you ask everybody here, ‘What exactly happened in that film?’ they wouldn’t be able to tell you. But if you ask everybody here, ‘What was that film about?’ they would be able to tell you.”

I’d like to talk to the man quoted above—as well as Kahiu—because I’m not sure if I know what this film is about.

Tropes vs. Women is a six-part video series by Feminist Frequency that explores the reoccurring stories, themes and representations of women in Hollywood films and TV shows.

The Mystical Pregnancy is a trope writers use to create drama and terror by invading, violating and exploiting women's reproductive capabilities. Often these female characters have their ovaries harvested by aliens or serve as human incubators for demon spawn. Sometimes they are carrying the Messiah and other times Satan himself.

Links and transcript after the jump!

Bringing you fine, feminist work from around the web!

• Bitch YA Blogger Jessica Stites follows up on police response to Ms.' petition demanding they apologize for having a woman who reported her rape fined.
• Queerty shares a video and list, "Just In Case You Forgot Why The Family Research Council Is A Hate Group."
• Monica at TransGriot provides a history lesson about the 1921 Tulsa Race Riot. (Trigger warning for discussion of racism and physical violence.)
• Bitch contributor Sady Doyle reports on Friday's protest of last week's shameful "not guilty" verdict at the Raw Story.
• Shakesville's Melissa McEwan comments on the latest fail by the New York Times. (Quotable: "This column smells like barf.")
• Tom at Original Plumbing talks about the Lambda Literary Awards and being an out artist.
• Check out V-Girls' latest project: collecting photo, video and text submissions for the I Am an Emotional Creature workshops they'll be leading with Eve Ensler in South Africa.
• The Guardian reports on author Naipaul's eyeroll-inducing insistence that no woman could write as well as him.
• Feministe's Clarisse gives us the rundown on feminist sci-fi awards!
• Bitch contributor Emily Manuel blurbs about the "fauxtreversy" around baby Storm's biological sex being a secret and the "imposing their ideology" accusation at Tiger Beatdown.
• At AlterNet, Laura Rena Murray explains the wrongheaded practice of police pointing to condom-carrying as evidence of being a sex worker... and the oft-dismissed bill that would prevent it.
• Mother Jones reports on the FIFA soccer scandal.
• WTF? Feministing discusses Cadbury's new ad, which compares Naomi Campbell and a chocolate bar.

Any reactions to the pieces we've shared? What else have you been reading?

I fall more in love with the work of Catherine Eyde every time I look at her art. Her colorful renditions of women, creatures and landscapes both ordinary and fantastical walk the line between twee and haunting, like a gorgeous, uneasy mixture of Grimm's fairy tales, Alice's Adventures in Wonderland and feminist sci-fi.

I am an enormous fan of Joanna Russ' work. The feminist science fiction author is best known for her dense exploration of the effects of parallel societies on a given character, The Female Man, but I swear by We Who Are About To..., about a woman fighting to die rather than colonize an unknown planet, and The Two of Them, about a traveler who feels superior to a gender-regressive realm only to realize her own life is not as free from patriarchy as she wants to believe.

I was saddened to learn of this great talent's passing last week after a series of strokes. Russ was seventy-four years old. There is an endless amount to be said about her influence, her fearlessness, her distinct and sometimes meta modes of writing, and her triumphs and limitations as a feminist role model. Today, though, I'd like to discuss an unsung heroine of sorts: Russ' one book for younger readers, Kittatinny: A Tale of Magic. I only managed to find this bildungsroman recently (and you can imagine my elation, as both a Russ-ite and a YA connoisseur) and have rarely been so enchanted by a story.

I love Ursula K. Le Guin’s writing so much. Who better with whom to finish our trip into feminist science fiction? And how to pick just a few of her works to write about…?!

Octavia E. Butler is most likely the best writer I’ve ever encountered. That’s certainly true technically: she’s flawless. I mean that there is literally not a thing I would change in her writing, and that is absolutely unique. But it’s her incisive, loving explorations of a broken world that will blow your mind wide open.

I hate to do this, but I’m going to kill a lot of the wonder of James Tiptree, Jr. right from the start.

In the late '60s and early '70s, there emerged a man of mystery on the US feminist science fiction scene. He was painfully modest, staggeringly talented, and reclusive indeed.

Hollywood seems to reserve a special hell for female actors who do not play nice, and the most enduring example–for me anyway–is Sean Young. Young's performance in the 1982 Ridley Scott sci-fi classic Blade Runner left an indelible impression on me as a teenager and even more so when I saw the first of many "director's cuts" theatrically.