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We often hear people refer to entertainment as threat-less, as in "It's just a movie," or "It's only a story." The bullets shot in blockbuster action movies are blanks, falls from buildings are all staged, and White House-destroying explosions are created only with pixels. Fantasy, not reality. On the other side of fictional narrative is its credibility—stories are supposed to "suspend disbelief" so that audiences can journey along with the tale presented. When it comes to portraying real people, many directors and writers will give interviews in which they insist the historical characters were researched down to the last eye blink and pinky movement. But for a writer, director, and actor to carve out the personality in question, they make a series of choices: which scenes in this person's life to present? Which known statements to recreate? Which relationships to highlight and which to leave absent from the screen? Even if the people in question were consulted for a particular retelling—which is not usually the case—there must remain a gap between the whole of their lives and the film version. In this case then, these films may say something about the era in which they were produced, as well as our cultural need for a particular representation.
After the 2008 election, one of the first books that made the rounds of the daytime news shows came from none other than John McCain's daughter, Meghan. Of particular interest to the talking heads in the wake of Barack Obama's win was the enigmatic, rogue-designee Sarah Palin. Meghan had some choice words for her father's running mate, saying:
There is the subject of politics and then there is entertainment. And never the twain shall meet, right? Wrong. So unbelievably wrong. In news of the "please don't record this," it leaked today that TLC—that's The Learning Channel, for those who are television newbies—is doing some crossover Kate Gosselin and Sarah Palin shows. This is not your mother's Law & Order and Homicide: Life on the Street mash up. This is full on, polarizing mothers run in/rendezvous in the wild frontier of Alaska.


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