New film "Obvious Child" stars Jenny Slate as a 20-something in Brooklyn who gets an abortion.
One in three women in the US have an abortion in their lifetimes, while nearly 40 percent of Americans claim they do not know anyone who has had an abortion.
I left the latter group, not coincidentally, around the same time I joined the former. When I got pregnant as a 20-something in Brooklyn five years ago and started telling people I was getting an abortion, I quickly discovered I actually knew three women who’d had one.
In 1948, in a seventh grade classroom in Eugene, Oregon, a teacher dimmed the lights and flipped on 16mm projector. A film called Human Growth began to play and for 20 minutes, a fictional teacher explained the human reproductive system while animated sperm and ovum flickered onscreen.
One in three women will have an abortion in her lifetime, yet in pop culture accurate portrayals of real people’s stories are rare. In this special interview, two reproductive justice advocates listen and discuss two songs: Nick Cannon’s "Can I Live?" and Nicki Minaj’s "Autobiography," and ask: what messages are pop songs sending about reproductive health issues?
A Texas protester rallies against the state's recent abortion rights restrictions. Photo by Mirsasha.
Is it possible to advocate for fetuses and babies without advocating for pregnant women?
Such a question might not even have been possible a generation ago. But over the past few decades a trend to treat fetuses as if they exist separately from pregnant women has reverberated throughout our culture and legal system, resulting in all sorts of illogical, surprising, and decidedly unfeminist positions.
The Women on Waves ship heads to international waters to dispense the abortion pill to women in need.
The documentary Vessel begins starkly, with the reveal of a typed plea from a woman in Morocco in 2012. Her words are full of desperation: she needs to get an abortion but the procedure is illegal in her country.
A Texan succinctly protests the state's restrictive anti-abortion access laws last year. Photo by Mirsasha (Creative Commons).
Texas has been in the national spotlight for its restrictive new laws that have closed two-thirds of the state’s abortion clinics. But another insidious way the state is trying to control women’s reproductive rights has gotten less attention: local prosecutors locking up pregnant women who test positive for drugs.
American prisons have a dark history of forced sterilization: Louisville residents protested forced sterilizations in 1971. Photo from the Southern Conference Educational Fund via the History News Network.
When I first caught sight of a Madeline Burrows, the writer and performer at the center of new play Mom Baby God, I wanted to head straight for the bathroom and hide. She was sporting a side ponytail and pink hoodie, chatting up theatergoers with a chirpy valley girl lilt about some sort of “Students for Life Conference.” Just as I was about to make a beeline for the can, she caught me in her weird immersive-theater snare.
I remember a simpler time when shopping at a craft store was not a political act. In those hazy golden days of about three years ago, I could simply waltz into a Hobby Lobby, purchase some fabric glue and sequins and not feel like I’d just turned my dollars over to a right-wing cause.
This week, the executives of Hobby Lobby and Conestoga Wood Specialties are at the Supreme Court backing a lawsuit that could gut the new federal requirement that companies’ provide insurance coverage for birth control.
Why does rape happen? Because a rapist chooses to rape someone. Because someone felt so entitled to sex, they didn’t care whether their selected partner was able or willing to consent. No one is disagreeing there. But why does that choice happen? Where does that sense of entitlement come from?
If you ask RAINN or TIME magazine, they wouldn’t be able to give you an answer.