Like a pap smear or tax season, it happens every year: People wear racist and sexist costumes on Halloween. Hell, maybe you've done it yourself! You didn't know what to be for that one party so you jammed some feathers in a headband and called yourself Pocahontas. Or you grabbed a toy donkey and a poncho and went as a cartoonish Mexican. We've all made mistakes and hopefully learned something from them, like how not to be the offensive asshole hanging out by the pumpkin keg. Because seriously, you really shouldn't wear that stuff.
Last post I looked at those for whom playing with racialized imagery in kink is too close to the bone. Today I'm turning my attention to the the black artists and performers who refused to be silenced in their desire to push boundaries.
As with the issue of female sexual submission, racial imagery in a BDSM context is an issue apt to cause heated debates, so I want to include both sides of the argument. Today, I'll examine the objections to the use of racialized imagery in kink, and in my next post I'll look at the responses by those who defend it.
Oh Ashton Kutcher. If it's not one douche-y thing with that guy, it's another. The Two and a Half Men star (I was going to make a douchebag joke there but "Two and a Half Men star" is a pretty good zinger on its own) is back in the news for all the wrong reasons again this week, this time for doing brownface in a Popchips ad.
Like many, I find these images racist, repulsive, and anti-woman. But, because this cake was consumed at museum and not, (believe it or not) at a pathetic frat party, and this cake was conceived as performance art, we will discuss further.