The story of racehorse Secretariat has been told many times, many ways. In 2010 Disney released their own star-studded telling of the horse’s rise to glory with the help of his determined owner, Penny Chenery (played by Diane Lane). Everyone knows this film as a story about a horse's Triple Crown win. But really, it's as much a story about Chenery’s struggle with challenging gender norms both personally and professionally. The horse Secretariat was her means to achieving success in a sexist industry.
• And speaking of clothes, fashion legend Vivienne Westwood is not feeling Michelle Obama's fashion choices. Bold talk from a woman who made her name with studded dog collars and unwalk-inable platforms. Your move, FLOTUS. [New York Times]
Women’s colleges were born out of institutionalized sexism. So, do we still need women’s colleges?
In mid-December the Huffington Post published a guest editorial by Elizabeth Pfeiffer titled, “Don't Like the Gender Gap? Women's Colleges Might Just Be the Answer.” In her post, Pfeiffer defends the all-female Scripps College. She argues that a school should be defined by “the richness of the community…and the possibilities this kind of environment offers.”
I agree: Schools should be defined by the richness of their community. But that goes beyond a gender binary. How about those whose identity does not fit within this heteronormative binary of man or woman?
Pfeiffer asks, “Why is Scripps, or any women's college, still relevant?” Pfeiffer believes one reason is because of the leadership roles she was able to take on, as well as the idea that women’s colleges instill a sense of leadership. She cites the fact that women's college graduates make up “more than 20 percent of women in Congress and 30 percent of a Businessweek list of rising women in corporate America.”
The same way that evolutionary psychology (or at least, bad reporting on evolutionary research) often conveniently reinforces sexist stereotypes about the role of men and women in the 21st society, genetic explanations for alcoholism tend to reinforce preexisting stereotypes about certain ethnic groups and races
Back in 1994, Sister, Sister captured my only-child heart by portraying one of my deepest wishes: teen girls bump into each other while shopping for clothes, discover they’re long-lost twins, and become instant best friends.
Sister, Sister is also still one of very few shows to feature a single father of color. In comparison to today’s whitewashed TV landscape, there were a lot more sitcoms with a predominantly black cast in the '90s (A Different World, The Fresh Prince of Bel Air, Moesha, and the two seasons of The Cosby Show, for starters.) But shows that were family-centric tended to feature traditional, upper middle class families, even Republicans, like Ray (Tim Reid) in Sister, Sister. This may be to counteract erroneous stereotypes as well as to transcend issues that often intersect with race — such as discrimination and poverty — in order to appeal to a wider/whiter audience.
Like a pap smear or tax season, it happens every year: People wear racist and sexist costumes on Halloween. Hell, maybe you’ve done it yourself! You didn't know what to be for that one party so you jammed some feathers in a headband and called yourself Pocahontas. Or you grabbed a toy donkey and a poncho and went as a cartoonish Mexican. We’ve all made mistakes and hopefully learned something from them, like how not to be the offensive asshole hanging out by the pumpkin keg. Because seriously, you really shouldn’t wear that stuff.