We all have words we love and words we hate. On this episode of Popaganda, we dig into those words we just can't stand, from "moist" to "exotic." In addition to ragging on words submitted by readers and friends, we discuss language with New York Times Magazine columnist Lizzie Skurnick, Northeastern Professor Sarah Jackson, and political cartoonist Matt Bors.
Are you a criminal? Let me be specific: have you committed the civil offense of working in the United States without papers? Have you thwarted our nation of laws through heinous acts of unauthorized fruit picking? How about using your degree from UC Berkeley to perform renegade statistical analysis? Are you one of the 11 million undocumented immigrants living in the United States?
"After the storm deaths came other casualties: deaths by debris, cuts, tetanus, or loss of blood; suicide, heart attacks caused by stress or loss, or stress of rebuilding, or just as often from the lack of medicines used to treat common ailments. The list of no-longer-treatable diseases grew: diabetes, asthma, cancer. Domestic violence rose, along with murder."
So begins the new book Orleans. Author Sherri L. Smith adds a dystopic twist to the post-Katrina disaster tale we (unfortunately) have come to know so well.
When I started this column on race in dystopian YA literature, a reader recommended I check out Shadows Cast by Stars, Métis author Catherine Knutsson's dystopic tale set on Canada's western coast 200 years from now.
In the book, a plague has ravaged the world. The only cure is antibodies found in the blood of aboriginal people (or "Others" as they are known by non-aboriginals).
Being queer at a private Christian school, I thought I'd heard homosexuality compared to just about everything. But I was caught off guard by the recent remarks of Dr. Erik Thoennes, a professor at my alma mater, Southern California's Biola University. At a panel discussion nominally on homosexuality—a discussion that conveniently didn't feature even one LGBTQ-affirming speaker—Dr. Thoennes likened homosexuality to racism.
I've never read a single books published by romance giant Harlequin and so I carried Julie Kagawa's The Immortal Rules to the library checkout counter with some trepidation. Would this be a romance novel with a veneer of vampire smeared on top?
Today is Equal Pay Day, the day in 2013 that the average woman in America has made as much as the average man did in 2012. With women earning anywhere from 60 to 80 percent of what white men do, our fiscal year needs an extra three months to make up the difference.
When I checked Marie Lu's Legendout of the library, I hoped that the main girl character (June) would be Asian. After all, Lu herself is Chinese, born in China and influenced, as a young child, by the 1989 Tiananmen Square student protests. From the age of five, she lived in the U.S. and, unless she lived in an alternate U.S., probably also didn't see herself reflected in the books on her library and school shelves. So wouldn't she use this opportunity to add one more Asian girl to YA litdom?
In Cinder, the familiar glass slipper story is set in a dystopian future Beijing 126 years after World War IV has ended. Cinder's author, Marissa Meyer, is white. Meanwhile, Chinese-American author Malinda Lo award-winning 2010 retelling of Cinderella, Ash, takes place in a kingdom that resembles a fairy tale Europe.
What do these choices say about each author? How do their ethnic backgrounds affect their retellings?