Earlier this month, Vancouver, BC hosted the first (and fingers crossed, annual) Shout Back! — an all-ages, queer, radical, D.I.Y., anarcha-feminist music festival. Nearly 50 bands played over the hectic span of 2.5 days. From cabaret to punk, twee pop to noise, this BitchTapes is devoted to a few (yes, 15 is a few) of the bands and solo musicians from the Shout Back! 2012 bill.
I have now been here for exactly a month, and we're finally getting consistently beautiful weather. I'm glad that person who said the weather would be literally perfect after July 4th wasn't lying. But really. The ten-day forecast predicts sun every single day with a 0% chance of rain. You heard me correctly, 0% chance. Portland, I see what y'all have been looking forward to. I sure as heck wouldn't want to be boiling in the heatwave in the mid-Atlantic right now. That is not what the precious pomp on my head needs. Nooooo, thank you.
So, now that things are getting hot 'n' sweaty, you need to be geared up, right? Sun block, check. Muscle tee, check. Cut-off shorts, check. Phresh summer haircut, check. Comfy dancing shoes, check. Cuties to dance with... wait, did I say geared up? I meant queered up. Here's a bunch of jams by some super fun queer folx who will help you get yr Portland (or wherever you are) summer officially rollin'. Hey, and some of these steamy queers are playing this summer in a town maybe near you! Yay!
Welcome then to the second installment of Queercore Now and Forever More! I regret to am thrilled to inform you that the last BitchTapes devoted to contemporary queer music was incomplete. Limited to under 20 tracks with links flickering to former + side projects, there is so much more queer music to share with you reader/listener! Plus, after Not Enough! and the self-motivating cultural ripples the Portland-based queer arts/music festival creates, a heap of queer projects in the Northwest alone have started up since the last mix 10 months back. Check out the latest tracks from Queercore's lesser-known-soon-to-be-faves as well as established contemporary artists:
Reception is important when thinking about movies. So far, the titles I've selected played in a theater at some point, whether on a festival circuit or during a theatrical run. This wasn't always the case with the work of Toronto-based queercore pioneer G.B. Jones. Though her movies were screened at festivals, some also played in galleries or make-shift event spaces.
I'm a little late with my Lux Interior tribute post, but better late than never. For
those of you who aren't familiar with him, Lux was the lead singer of
the Cramps- a super rad, super trashy, super gay punk band that was
active from the early 70s up until Lux's death earlier this month.