I have a confession to make. I was raised in an evangelical Christian home, and when I was much much younger... I was a fan of contemporary Christian music (CCM). Oh, yes. I reailzed just how much of an affront to music it is almost half of my life ago, but lately, I've been thinking about just how entrenched it is in the ideology of the Christian Right. Consider this awful 1995 track by Twila Paris called "Rescue the Prisoner." (The "prisoner," it turns out, is a member of the LGBTQ community who is said to be "demanding rights" and "defending wrong.")
A couple of commenters have raised questions about progressiveness in country music. Today, I want to suggest that there are progressive voices, at least in Americana, roots, and alt country music, but those voices are limited. They are almost always white, and usually populist and male. There are a few women in country who arguably identify as feminists. None of these artists are evangelical Christians like some major label country musicians, but faith imagery permeates much of their songwriting. It is often used in visions of a Utopian future, or it takes on a perverse meaning.
Billboards proclaiming Black Children Are An Endangered Species have appeared across the city of Atlanta in the last couple of weeks. The poster was created by activist groups Georgia Right To Life and the Radiance Foundation. They claim that black women have three times the number of abortions in comparison to white women in the state and that this is indicative of a eugenics-based conspiracy to deplete the African American population. A conspiracy, they argue, that goes right back to the agitator for birth control, Margaret Sanger, who, they say, would have been happy to hear that 40% of African American women's pregnancies are aborted.