Feminist spoken word roadshow Sister Spit has been sporadically criss-crossing the nation for 20 years now, building community around radical writing, poetry, and films. The group started in 1994 as a Bay Area open mic night meant to highlight the work of women artists who weren't getting enough attention. Since then, Sister Spit has become a traveling show and literary press. On this episode, we talk with three talented members of recent Sister Spit tours: essayist Beth Lisick, poet Dia Felix, and artist and musician Cristy Road.
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This month, Bitch collaborated with women-in-literary-arts group Her Kind to ask poets thought-provoking questions about art and language. Here, poets Stalina Villarreal and Ire'ne Lara Silva talk over issues of likability, art, and how to "write from your cunt."
In a time when prostitution and female education were both considered unwholesome, professional courtesan Veronica Franco established herself a leader in the 16th Century literary arts. Although initially known among the Venetian literati for her iconic beauty and razor-sharp wit, Franco busted through the Venetian glass ceiling with her success in erotic love poems.
Anne Sexton was born in Newton, Masachusetts in 1928. Sexton was the youngest of three daughters and quickly earned the title of the wild child. At seventeen, her parents sent her to Rogers Hall Boarding School in Lowell, Massachusetts to try and cure the rebellious side in her. After graduating from school, Sexton attended what she would later call a "finishing school" before she met and eloped with Alfred Sexton II in 1948. For a short time after their marriage, she modeled for a small agency. But after her husband was sent to Korea for a time, Sexton gave up modeling to be like a typical '50s housewife—but she was anything but.
I've always felt poetry to be above me, something I could not connect with or fully understand. Or that poetry by women was always sappy (I've since realized that learning about poetry through a white male canonic lens brainwashed me into thinking that way). After hearing my friend Lisa Wells read from her new chapbook Beast I knew there was something incredibly deep and moving to be gained from not only reading more poetry but actually being able to listen to it. In honor of National Poetry Month I asked Lisa to compile a list of her top five recommended poetry collections for me (with a special tribute added for Adrienne Rich), and asked if I could record her reading some of the work so I could listen more closely. Here's what she had to say.
CALYX Journal begins its 36th year of publishing fine art and literature by women with its winter 2012 issue (vol. 27, no. 3). This self-described feminist literary journal allows women's voices to be front and center, which is why its four female founders created it in 1976. Referencing a recent survey conducted by VIDA: Women in Literary Arts the introduction in the summer 2011 issue of CALYX points out that women's voices are still highly marginalized in the literary journals and magazines, making their mission as relevant as ever.
Dorianne Laux's fifth book of poetry, The Book of Men, was released earlier this year. Spoiler alert: It is NOT ACTUALLY A BOOK OF MEN. It is a book of earth, and sex, and war, and food, and even a book of Cher. Yep. Cher. After reading The Book of Men I immersed myself in Laux's other books, and have emerged remembering what is best about reading poems.