I have been told by some I am creating inspirational porn in a different form by showing images that are too queer, too sexuality provocative, and too fabulous—but I am sharing what people are sending me.
Translady Fanzine is a fine art photographic periodical, that in its first issue, features high-gloss portraits of video and performance artist Zackary Drucker. Amos Mac, editor and founder of the trans male quarterly Original Plumbing, is both photographer and publisher. Photographs are taken from the collaborative series "Distance is Where the Heart Is/Home is Where You Hang Your Heart" documenting a visual memoir of Drucker's early life in locations shot in and around her family's home in Upstate New York. Drucker writes in TF: "How can we have fans if we don't exist? How do we know we exist without visual affirmation?"
I can't believe it's the end of my guest blog series already. Looking at he theme of art and feminism has raised loads of questions and also given lots of answers. We've explored artists who use hair and those who've experienced domestic violence, the woman who got a vaginal Damien Hirst tattoo, and the countless murdered and attacked females in Juarez, Mexico, who have been immortalized through the exhibition 400 Women. It's powerful stuff...
For me, art isn't just about finding something pretty or intelligent, or wishing I could paint as well as someone else. It's about looking at a piece and knowing that it's taught you something and you feel better for having seen it. You understand the world a little better afterwards, and you can't wait to rave about it to your friends. Here are three lessons I've learned from artists that I'd like to pass on:
There are loads of photographers who take the body as their subject matter—hey, it's nothing new. But the women in this post made a point of portraying the body as something to be celebrated and combined with fashion, sociological thinking, or mythology. It's so much more than just snapping a photo.
Together, Andrea Blood and Zoe Sinclair are known as The Girls—an artistic partnership that has revolved around intense tableaux self-portraits, live performances, videos and installations. Along with exhibiting regularly in the UK, they've shown at the Los Angeles Center for Digital Art and Milan's UNO+UNO. Whether they're taking on recognizable people and reimagining them, or creating entirely new and vibrant characters, you're sure to be drawn in. I wanted to quiz The Girls about their most controversial pieces, their future projects, and how feminism fits into the picture.
"There is no separation between me and what I photograph," said the artist Nan Goldin. This has never been truer than with the self-portrait that captures her injuries caused by an abusive boyfriend. Domestic violence is never an easy subject to talk about, but this image speaks volumes.
Her artistic career may have been short—she was taking photos for only nine years of her life—but Francesca Woodman left behind over 800 images when she died in 1981. She commands enough attention, 30 years after her death, to merit a retrospective at San Francisco's Museum of Modern Art, which will move on to the Guggenheim in 2012. What is the lingering hold that she has over art lovers?
Brooklyn-based artist Lorna Simpson produces visual works that both isolate and confront conventional views on identity, ethnicity, and history. A majority of her recent work portrays black American women casually posed in standalone scenes or everyday interactions, inviting viewers—herself included—to question what divisions exist between society's past and present.