"After the storm deaths came other casualties: deaths by debris, cuts, tetanus, or loss of blood; suicide, heart attacks caused by stress or loss, or stress of rebuilding, or just as often from the lack of medicines used to treat common ailments. The list of no-longer-treatable diseases grew: diabetes, asthma, cancer. Domestic violence rose, along with murder."
So begins the new book Orleans. Author Sherri L. Smith adds a dystopic twist to the post-Katrina disaster tale we (unfortunately) have come to know so well.
I'll admit, I kind of fudged when I said this would be a three-part series about zine artists I love. Honestly, I could probably do a fifty part series on zine artists I love, then publish it as a memoir called Can I Be You? But I'm not doing that, and instead, I'm going to take a few minutes to tell you about something really important. A couple of weeks ago, you might have stopped by the Portland Zine Symposium (or any zine fest anywhere) and thought to yourself "Wow, there are a lot of white people here, where are all the zinesters of color?" Or at least, that's what I was thinking. I scoured the entire space looking for people of color only to find one table all alone, in the back of the warehouse. One amazing table, to be sure,, but I still left wishing for something more. I'd imagine Daniela Capistrano had some similar thoughts when she founded the People of Color Zine Project in 2010 in order to make zines by folks of color accessible, available, and distributable for all, because really, these things can be incredibly hard to find in such white dominated DIY, activist, and artist communities.