As Bitch hits issue #59 with Micro/Macro, I thought I would shine a light on some of the "micro" behind-the-scenes thought that goes into the eye candy you see in our pages. This post features sketches from illustrator Adriana Vawdrey.
Great artists don't just have to exist in galleries. Books have given us some really inspirational pre- or post-feminist characters that are good at art, and this liberates them either emotionally or physically. What unites them is their independent thinking, as they are determined to go against the grain and not end up like their peers, bitter or vacuous. Some examples here are from classic novels, such as Jane Eyre, where art is a form of escapism for our heroine, whereas in Andrew Davidson's modern novel The Gargoyle we find a sculptress whose work is so consuming that it leaves her exhausted. Whatever the situation, it is clear that these women take their art seriously—it's not just a hobby to keep them occupied before they're whisked off by Prince Charming. This is so much better than a fairytale.
Hildegard von Bingen was a German Benedictine abbess, magistra, composer, healer and author, one of the first female composers whose works are still intact. In an era where few women were allowed or able to read and write, Hildegard wrote songs, poems, theological texts and medicinal guides and even invented her own alphabet.
It's likely that Hildegard would have been forgotten if she hadn't left such an extensive written record of her thoughts and studies. Nearly 80 of her compositions have survived, along with over a hundred letters to statesmen, emperors, saints and popes. Without her extensive writings, we would know almost nothing about her life, but she didn't even begin writing until a vision she received at the age of 42 instructed her to "write down that which you see and hear."