Today we encounter perhaps the most difficult entry of the series. While "important" and "palatable" are not always mutually exclusive descriptors, there's no denying the cultural significance of writer-director Julie Dash's hypnotic and elliptical 1991 debut feature Daughters of the Dust, which apparently was the first nationally released film by a black female director. In 2004, the Library of Congress' National Film Registry accepted it in its canon. Its distributor, Kino International, has a close relationship with Janus and thus is similar to the Criterion Collection in its commitment to film restoration and definitive DVD packaging. However, it's a slippery movie to review, not the least of which because this critic is a white woman with a shaky grasp on the folkloric traditions represented and referenced herein.