Today's entry is one of two movies in the series that is part of a trilogy. It is particularly noteworthy for following an installment that gets more critical attention. Frankly, I think Park Chan-wook's Oldboy is massively overrated. It seems strange to me that Hollywood has attempted to remake it so many times since its 2003 release, though its densely choreographed action sequences and emotional bombast elucidate its stateside mainstream appeal. The feted second feature of the Korean filmmaker's vengeance trilogy is celebrated for its grim subject matter, varied cinematic style, composer Jo Yeong-wook's sophisticated score, and emotional nuance.
Lady Vengeance has all of these elements and far surpasses Oldboy in its ability to dazzle and unnerve.
Writer-director Spike Lee is a contentious figure, especially regarding gender politics. His debut feature, She's Gotta Have It, established this reputation by depicting rape as consensual between the polyamorist female lead and her vindictive partner, resulting in bell hooks' seminal essay, "Whose Pussy Is This?" In subsequent releases, Lee has been criticized as sexist, misogynistic, and homophobic in his constructions of relatively unformed, castrating women and the limited narrative arcs they traverse. Thus, many detractors may not think a movie of his could pass the Bechdel Test, much less have a complex black girl character at its center.