Yesterday, my bf emailed me an article from the consistently obnoxious and terrible men's site askmen.com. Apparently, the hard-hitting journalists working over there were interested in determining the Most Influential Man of 2009, and the winner (chosen through a reader poll) was Mad Men's fictional philanderer Don Draper. You know, because television characters should really be the most influential people in our lives.
At any rate, my beau found the news of Draper winning this award even more ridiculous and upsetting than I did, so I asked him to write a brief response to the article from The Male Perspective. Read it after the jump!
We all know that feminist guy, right? The one who successfully sideswiped years of Neanderthal behavior to forge a path to guyville uniquely his own. And I'm not talking about the guy who wears a "This Is What a Feminist Looks Like" T-shirt and calls it a day. I'm talking about the men in our lives who acknowledge the feminine within them every day, without shame, and who stand up for women's rights as easily as they stand up to pee greet you. These are men who understand the value of feminism and of doing feminism to better girls' and women's lives in a culture as waywardly misogynistic as ours can be.
Author and women's studies professor Shira Tarrant, Ph.D., has written a book to celebrate that guy and to indoctrinate all men into understanding why feminism is not just about girls and women. Her book, Men and Feminism, is part of Seal Press' academic Seal Studies series and covers not only the history of men and feminism, but gender theory, constructing masculinity, masculine privilege, and how all men can—and why they must—get involved in feminist action.
Page Turner interviewed Tarrant about what led her to become an expert in masculinities, why feminism is relevant to men, speaking plainly about men's violence, and what men lose in pursuit of the "hypermasculine ideal." Read on for more!
He's taken the role of "ladies man" to new levels on How I Met Your Mother, played himself as a child actor turned mega-douche in the Harold & Kumar movies, and even used his rep for machismo to shill Old Spice.
So why should feminists be crushing? Because he's redefining the way masculinity is portrayed in pop culture.
From the machismo of Arnold Schwarzenegger and Sylvester Stallone to Woody Allen's nebbishes and the teenage fantasies of the Porky's and American Pie franchises, manhood in all its flavors is a staple of the silver screen. Writer-director Wes Anderson is clearly fascinated by the subject too, yet over the course of his four films he has turned his lens on one specific aspect of masculinity: the balance between boyish and manly behavior necessary for the health of not only the individual male but also the culture he embodies.
A few reviewers have acknowledged this by mentioning, if only in passing, Anderson's penchant for father-son or mentor-protégé relationships, and Anderson himself has confirmed it. In a 2001 Los Angeles Times interview, he credited director James L. Brooks—who helped him find the funding to turn a short film into his 1996 debut feature, Bottle Rocket—with inspiring his filmic exploration of mentors. Each of Anderson's four features involves a relationship between a young man and either his father or a man who is old enough to be his father: wannabe thief Dignan and crime boss Mr. Henry in Bottle Rocket; 10th-grader Max Fischer and his industrialist friend/rival Mr. Blume in 1998's Rushmore; favored child Richie Tenenbaum and his irresponsible father Royal in 2001's The Royal Tenenbaums; and airline pilot Ned Plimpton and the titular marine-life documentarian he suspects is his father in 2004's The Life Aquatic with Steve Zissou. Those simplified labels, however, are inadequate to describe the mutual give-and-take of the pairs.