Most of us are taught that 'good' music is polished, without background noise or distortion. Popular culture embraces this kind of music. We're shown that if we want to succeed as musicians, we must aspire to make flawless music with the best equipment out there (meaning the most expensive, of course). Lo-fi music is awesome because it rejects this idea. It breaks convention. It's distorted and fuzzy, contains background noise and limited frequency response. Lo-fi doesn't give a shit about the rules.
We've all heard one of Audre Lorde's most famous lines: "The master's tools will never dismantle the master's house." Let's take a minute to apply this to the music industry. If the house we're talking about is the music industry, well, it's important to mention that it's long been dominated by privileged white males. The music industry was not built with most people in mind. So it's no wonder that riot grrrl and queercore began to reject the 'master's tools' (the expensive equipment, polished sound, the idea that conforming to an industry created without you in mind is something you should be doing). Lo-fi rejects the 'master's tools' and creates its own sound.
This mix is comprised of music made primarily by women. I don't mean to ignore the guys in the bands by calling this a "lo-fi ladies" mix; rather, I want to highlight lo-fi female-fronted music. Additionally, I can't say why these bands decided to make lo-fi music and I won't pretend to know each band's politics. While some of them definitely made the music as a statement against mainstream music/the man, others were probably just into the sound. Either way, this mix makes me feel like all I need to start a band is a $1 microphone and a couple of friends.