Gather around, children. It's time for a story. Several, actually. I've been thinking about picture books, and how big an impact a story can have with just a few words. Get thinking about the picture book icons of your childhood while I take you through some of my experiences and what the kids are reading these days.
Octavia E. Butler is most likely the best writer I've ever encountered. That's certainly true technically: she's flawless. I mean that there is literally not a thing I would change in her writing, and that is absolutely unique. But it's her incisive, loving explorations of a broken world that will blow your mind wide open.
Because I'm a slightly perverse creature, I'm going to start this series about feminist literary icons with a one you've probably never heard of. Written by a man. Featuring a woman who dies of longing when her dreamed-of lover doesn't materialize.
Hello, gentle readers. The good people at Bitch have made a terrible and now, I fear, irrevocable mistake, having hired me to write for you for the next eight weeks. There is an upside, however. I'm going to be writing about the greatest thing in the whole world: literature!
So, welcome to this here series called Iconography. We're going to look at the formation and celebration of feminist literary icons, both characters and creators.
Everyone's been talking about Jonathan Franzen's new book, Freedom. While book reviewers raved and readers waited with great anticipation for the August 31st release date, authors Jodi Picoult and Jennifer Weiner both saw all the hype as a platform from which to start asking questions about why books written by women don't get this kind of attention.
All the poets Iran is famous for – Khayyam, Hafez, Rumi – lived hundreds of years ago... and were dudes. But modernist poetry in Iran is alive and well, and its most important female poet, Forough Farrokhzad, is a contemporary Iranian iconoclast on par with former prime minister Mohammad Mossadegh. Although lack of adequate translations made her little known outside of Iran, Farrokhzad became famous for her work in her home country before her untimely death in 1967.
As every tabloid reader knows, it’s a short step from a celebrity marriage to a publicity-filled divorce. When Jonathan Franzen’s new novel, The Corrections, was published this fall, critics waxed hyperbolic over its wedding of character-driven family drama and up-to-the-nanosecond cultural commentary.