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Preacher's Daughter: Women in Country and the Construction of Femininity

Music post by Kristin Rawls, Submitted by Kristin Rawls on October 4, 2011 - 11:57am; tagged addiction, alcohol, alcoholism, break ups, Carrie Underwood, cheating, Christianity, commercial, compulsory heterosexuality, Country, country music, dixie chicks, female songwriters, guns, lesbian activism, LGBTQ, Loretta Lynn, masculinity, Nashville, religion.

There's a script for women in commercial country music that doesn't necessarily coincide with more mainstream stereotypes and assumptions about women. If you've ever heard Carrie Underwood's ubiquitous 2007 single, "Before He Cheats" (lyrics), you'll recognize the tropes.

Of course there are exceptions, but the ideal country woman is often blond (and white), feisty, world-wise, and hot. She is deeply possessive of her man, and aims to squelch competitors for his affection. She gives the appearance of working-class roots even if she didn't grow up working class, and she's equally comfortable talking about guns (Miranda Lambert's "Gunpowder and Lead"), Jesus (Underwood's "Jesus Take the Wheel"), and heterosexual romantic relationships (Dixie Chicks' "Cowboy Take Me Away").

One of the newer variations on these themes is the girl group Pistol Annies (Miranda Lambert, Ashley Monroe, and Angaleena Presley). Check out the first single of their August LP, Hell on Heels (lyrics):

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Preacher's Daughter: Q&A with Lesbian Christian Singer-Songwriter Jennifer Knapp

Music post by Kristin Rawls, Submitted by Kristin Rawls on September 20, 2011 - 12:26pm; tagged books, Christianity, compulsory heterosexuality, female songwriters, femininity, folk music, gender, homophobia, lesbian, lesbian activism, LGBT, LGBTQ, lilith fair, religion.

In May, Religion Dispatches published my first interview with former darling of the Christian contemporary music scene, lesbian singer-songwriter Jennifer Knapp. Then over the summer, I got to meet and interview Knapp in person while covering the Wild Goose Festival, an event that celebrated (predominantly Christian) spirituality, justice, and art. We talked a bit about the limitations of Christian music, feminism and sexuality on the same day she filmed the "It Gets Better" video below. I'll be critiquing some evangelical Christian music later in the series, so I'm very excited to share unpublished parts of our interview with you here today: 

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Stop the Deportation of Kiana Firouz

Movies post by Sara Reihani, Submitted by Sara Reihani on May 13, 2010 - 7:50pm; tagged Iran, Kiana Firouz, lesbian activism, women in film.
Iranian lesbian activist Kiana Firouz is currently seeking asylum in the United Kingdom after a controversy over the upcoming release of Cul de Sac. The film, which stars Firouz and includes explicit lesbian sex scenes, is based heavily on Firouz's life and struggles as a lesbian in Iran. Directors Ramin Goudarzi-Nejad and Mahshad Torkan posted the trailer on YouTube in December 2009 (below, NSFW) and since then, the Iranian government has attempted to deport Firouz back to Iran to be tried and punished for her crime of homosexuality. Firouz applied for refugee status in the UK, but was rejected. If she is not granted asylum in the UK, she will be sent back to Iran, where the minimum punishment for homosexuality is 100 lashes. The punishment for "unrepentant" homosexuality, which Firouz's LGBTQ activism clearly demonstrates, is public execution by hanging.
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