Let's start by saying this: Calling a year "good for women in music" is fairly ridiculous. What that phrase translates to is usually more like "I can name three lady songs from this year!" or "Beyoncé made an album this year!"
Kacey Musgraves is looking to change a mammoth, 44.6 million-albums-sold-last-year music machine from the inside out. And she's going to use pot, homosexuality, and atheism to do it. "EGADS!", one might say. "POT, HOMOSEXUALITY, AND ATHEISM?!" And then one might think for a moment. "No, wait. Those aren't that exciting anymore," one might realize. "Pfffft, Kacey Musgraves, nice try, with your 'controversial' singing music record. NEXT." But wait. How often do you hear about any of the above in a COUNTRY album? How often are small-town Texas and big-town Nashville starting those conversations? ZING! That's what I thought. Kacey Musgraves is a native of the former, and a product of the latter, and she's changing the genre that made her one song at a time.