• "If you happen to be seriously wounded, there is a temptation to hope not to survive, because you cannot afford to be wounded." Italian journalist Francesca Borri elucidates the terrifying realities of freelance war journalism. [Columbia Journalism Review]
While newspapers at home struggle to stay relevant and profitable, reporters abroad struggle to stay alive. Dedicated to exposing the truth, protecting their sources, and improving the quality of life for those living in war-torn nations, the men and women (especially women) reporting intenationally frequently find themselves targeted. Since the Committee to Protect Journalists started keeping track in 1992, 972 journalists have been killed. In her new gallery exhibition of oil portraits, "Frontline Heroines," Seattle artist Judith Larson puts faces to some of those numbers.
"This represents my return to art, because I had a motive," says Larson, who herself has spent the last 20 years working primarily as a reporter. Seattle's Fountainhead Gallery is filled with the large portraits of women killed while working as journalists.
Games say important things about who we are and the cultural lessons we have learned, subconsciously or not. When a game breaks from the larger narratives of culture, it is because its creator has chosen to tell a story rarely heard. Unless you're involved with games, deeply, sometimes daily, some of the stories I have to tell will not be ones you know.
Once, twice, three times a douchebag for Johns Hopkins University's student newspaper The News-Letter, who hit the student body with a double-whammy of sexist, rape-apologetic articles in the last two weeks.
Such sad news today: veteran Los Angeles Times sportswriter Christine Daniels was found dead today in her home. Suicide is the suspected cause. She was 52 years old.
Daniels made national headlines when in 2007 she announced in that she was transitioning from male to female. Then under the byline of Mike Penner, she wrote her groundbreaking sports column:
I know most people don't care for Lois, but I think that's because they haven't really given her consideration. I mean, here's a female character who, despite office sexism perseveres with moxie. She's tough-talking, street smart, and modern. She has her own apartment in the City, is an award-winning reporter, and is dedicated to her profession—all of which sounds admirably progressive, even feminist to me. It reminds me of something I wrote in my book about Gloria Steinem's comment about rescuing Wonder Woman by putting her on the cover of Ms. magazine. While Wonder Woman serves as a symbol of our highest aspirations, Lois may have more accurately reflected the lives of journalists at Ms., and at the time was certainly in need of as much rescuing as Diana Prince.