Hello good readers of Bitch blogs! Starting this week for the next twelve weeks, I’ll be blogging at Bitch about Indian feminist books and films and I might quite possibly “ruin” India for many of you (it’s a superpower of mine, I’m often told) and I’m hoping in turn you’ll “ruin” my impression of north-Atlantic feminisms (which in my experience have not been of the most dedicated listeners). Apart from the sense of accomplishment I get while rupturing romanticized versions of India—because really, who wouldn’t be happy to break bubbles like: “What do you mean there are no tigers on the street? So this tattoo really means "my father is over there" in Sanskrit? Why can’t I like, go to tribal camp?”—I also hope that this break in lines of thought and action will make us talk and listen to one another.
My name is Kristin Rawls, and, yes, I am a preacher's daughter. I'm in my early 30s, and I was raised in an unusual blend of Protestant traditions. The preacher (my dad) grew up in the Southern Baptist church, got "saved" during the Pentecostal-influenced "Jesus movement" of the 1970s and ultimately settled in a mainline (not fundamentalist) tradition. My family practiced a confusing mix of them all. The result? I became pretty cynical about the the whole thing.
This blog series is named after blueswoman Michelle Malone's song, "Preacher's Daughter" (transcript here):
Hello, gentle readers. The good people at Bitch have made a terrible and now, I fear, irrevocable mistake, having hired me to write for you for the next eight weeks. There is an upside, however. I’m going to be writing about the greatest thing in the whole world: literature!
So, welcome to this here series called Iconography. We’re going to look at the formation and celebration of feminist literary icons, both characters and creators.
Welcome to Push(back) at the Intersections, an exploration of responses to feminist responses to pop culture.
Yes, that's right. Bitch very kindly invited me back to guest blog about one of my favorite things: meta-analysis of pop culture critiques. I'm interested in how people interact with feminist critiques of pop culture, and I'm not just looking at nonfeminist responses, but also feminist ones. Some of the strongest pushback when it comes to feminist explorations of pop culture comes from within the feminist community, rather than from outside it.