In this historic week of Supreme Court decisions on marriage equality and the Voting Rights Act, we're thinking a lot about intersections. More than ever, it's clear that making America a more equal union means defending the civil rights of everyone—not benefitting one group of people over another.
This week's Popaganda focuses on those areas of overlapping identity, digging into the framing of race in media with Colorlines.com Senior Editor Jamilah King, talking with transgender ice hockey player Micah Barritt about gender dynamics in athletics, discussing the link between feminsm and biking with author Elly Blue, and exploring the political need for linking immigrant rights and LGBT rights with Basic Rights Oregon racial justice organizer John Joo.
• The Republican-controlled US House of Representatives passed a bill that bans abortions after 20 weeks, but it's a largely symbolic gesture since there's no way it will pass the Democrat-dominated Senate. [Shakesville]
People of color are often seen as the exceptions in predominantly white societies' mass media, like US literature. Let's look at race and gender in two dystopic young adult scenarios in which the exceptional group is not people of color, but clones they've created.
Kat Zhang's What's Left of Me takes the mass suspicion, xenophobia, and hysteria that's become normalized since 9/11 and sets it in an alternate United States where people are born with two personalities inside one body.
Are you a criminal? Let me be specific: have you committed the civil offense of working in the United States without papers? Have you thwarted our nation of laws through heinous acts of unauthorized fruit picking? How about using your degree from UC Berkeley to perform renegade statistical analysis? Are you one of the 11 million undocumented immigrants living in the United States?
Onscreen, young women of color with immigrant parents are often far from traditional. Consider All-American Girl's Margaret Kim (Margaret Cho), Grey's Anatomy's Callie Torres (Sara Ramirez), The Office's Kelly Kapoor (Mindy Kaling), and Elementary's Joan Watson (Lucy Liu). Though these characters' parents are from various socioeconomic backgrounds and countries of origin, these young women all strive to balance their parents' expectations with their own expectations against the backdrop of society's often sexist and racist assumptions. And though these are some of my favorite characters on television, their experiences often veer from those of real-life second-generation immigrant women.
On the New Girl episode "Table 34," Cece (Hannah Simone) attends an Indian marriage convention hoping to meet an Indian guy for a long-term relationship. She had been with lovable douchebag Schmidt (Max Greenfield) but wants to date someone whom her Indian-born parents will approve of. When her friends hear about the convention, they decide that they want to check it out, too—though only Schmidt dresses like, in Winston's words, "the fortune teller in Big." At the convention, she has to fill out an application including her resume. The event hostess seats her at Table 34, which is clearly the losers' table. Has there been some mistake? The event organizer says, "Over 30 [years old], no advanced degrees, part-time employment. Table 34." Cece replies that she's a professional model, "I was in Lil Wayne's last video. I was the girl he was throwing strawberries at in slow motion?" The woman says, "Definitely Table 34."
Fashion model Cece is downwardly mobile compared to her parents, but she hopes that landing an Indian man will help her gain their approval.