But the reason I looked forward to True Blood is because the Sookie Stackhouse novels feature a disabled heroine. And, as a person with disabilities, that is something that I do not get to see very often. Despite the fact that we make up an estimated 20% of the population, our representation in film and television is quite small. This means that I rarely get to engage with a character who is like me, with whom I can connect because we share commonalities.
Because I live in Brooklyn and I like books, it's been hard to escape the name Jonathan Ames, but I haven't, admittedly, read him. His popularity among a certain set of people has triggered the contrarian in me and I gracefully skirt his work in bookstores and magazines alike. You see, Ames is the kind of person who, the Village Voice tells me, does delightfully irreverent New York things like attend charity events of which he can say, "It's to raise money for Chihuahuas." He names his protagonists after himself. If you've caught my drift, this is the kind of writer who I worry is so well-regarded because he represents a certain kind of trendy New York existence in which everyone nurtures a delightful hip Zooey-Deschanel-esque quirk so that they may safely inhabit a world without regard to responsibility or the dreary business of doing things that are true or meaningful. Or, um, wage-earning.
Someday I shall have to test this prejudice of mine out by reading his books, obviously. For now, HBO has obliged me in delivering a version of Jonathan Ames (penned by Jonathan Ames and called, of course, Jonathan Ames) in thirty-minute morsels (called Bored to Death) to confirm my prejudices. While I've only watched the one episode - which aired last night on HBO but which you can get from OnDemand or, I believe, as a free podcast on iTunes - thus far it has done nothing to alleviate my concern.