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Gloria Anzaldúa lived a pedal-to-the-metal life, refusing to deny any aspects of her dynamic identity and writing her own page in the great book of queer/feminist/critical theory by tearing out 20 others. Her writings are enactments of the "borderland/frontera" concept that she pioneered; her books fly between prose and poetry, English and Spanish, and any number of personal and theoretical topics that she felt compelled to put between a front and back cover. In occupying a space between genres, topics, cultures and identities, she broke the hegemonic norms that sought to restrain her throughout her life.

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