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Daddy Issues: The New Normal, the Same Old Bigotry

TV post by Diane Shipley on December 11, 2012 - 2:29pm; tagged Daddy Issues, gay dads, gay fathers, Modern Family, sitcoms, The New Normal, tv.

Two men and a woman stand in front of a bathroom mirror, looking at a pregnancy test. A slogan says: The New Normal: A post-modern family., The New Normal isn’t the first time we’ve seen gay dads (in this case, dads-to-be) on TV. But from Will & Grace’s Jack McFarland to LeRoy and Hiram Berry on Glee, they’re usually non-custodial fathers or secondary characters. The aughts brought sitcoms It’s All Relative and Normal, Ohio, both of which centred around gay fathers, but neither found an audience.

It wasn’t until 2009's Modern Family that a successful network sitcom showed gay men being full-time fathers — and even there, their portrayal is stereotypical and desexualized. That’s something Glee and The New Normal creator (and out gay man) Ryan Murphy publicly criticized in 2010, stating that if he were to make a show with two gay leads, their kissing would be shown as no big deal.

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Daddy Issues: Modern Family's Old-Fashioned Values

TV post by Diane Shipley on December 10, 2012 - 11:07am; tagged Daddy Issues, fatherhood, gay dads, Modern Family, sitcoms, tv.

Cam holds toddler Lily, both look nonplussed. Mitchell stands next to them, punching his fist with a satisfied expression. They appear to be standing outside or in a doorway.It’s not that I don’t enjoy Modern Family, exactly. It’s a slick sitcom that showcases some great acting and witty writing. But despite including characters who are gay and people of color, at heart it’s a deeply conventional show, more interested in peddling stereotypes than subverting them.

Most often, Modern Family’s white heterosexual family with a stay-at-home mom is presented as the default, including in the show’s promotional images, most of which literally position them at the centre of the show: the “normal” people those wacky minorities orbit around. The first season poster even made this overt, describing the family units we could expect to see as: “straight, gay, multi-cultural, traditional” — that last word providing reassurance to conservatively-minded potential viewers that storylines wouldn’t get too progressive.

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