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film

Dictaphone Diaries : an interview with the director of Must Read After My Death

Love / Shove post by Kjerstin Johnson on February 26, 2009 - 1:23pm; tagged 1960s, family politics, film, filmmaking, independent film, interview, Morgan Dews, Must Read After My Death.
Morgan Dews’ Must Read After My Death is a startling, deeply intimate look into the domestic life of the filmmaker’s grandmother, Allis. Made up entirely of home movies and recordings that Allis documented (privately, in therapy sessions, or trans-Atlantic with her husband Charley), the film is at times heartwarming, but more so horrifying, as Allis struggles against the stifling systemic and familial abuse as a 1960s housewife. The personal documentation and voiceovers make the experience of watching a family unravel all the more affecting. The film is already receiving film festival prizes and rave reviews (the Village Voice said it "makes Revolutionary Road look like a tea party") from around the world. Morgan took the time to answer some of my questions about the movie and filmmaking process. Read on for the interview as well as your chance to watch the movie online for free!
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2 comments

All the young dudes (will be played by women)

Love / Shove post by Kelsey Wallace on November 24, 2008 - 1:52pm; tagged film, gender, Twilight.

Stewart and ReedAccording to some internet buzzing, Twilight stars (that's right, Twilight is everywhere) Kristin Stewart and Nikki Reed are set to star in a new film called K-11. For those of you who are not down with prison lingo (and I will include myself here), K-11 is the official classification code for gay inmates, and Stewart and Reed will both be playing gay men in the film. That's right, gay men.

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7 comments

Bond Girl Power

Love / Shove post by Kjerstin Johnson on November 19, 2008 - 2:25pm; tagged feminism, film, media criticism, reviews.
QS1.jpg
While there’s a lot a feminist critique of Quantum of Solace, the new James Bond flick, could cover, such as the other-ing of the voiceless "ethnic" communities/Bond’s sense of entitlement to their culture and resources, Judy Dench’s role as M, or the current, very real political turbulence in Bolivia (FYI? George Bush is still our president), this post mainly focuses on the use of the rape-revenge themes and surprise, surprise, the objectification of women found in the movie. And yes, there are spoilers.
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7 comments

More conference bitching

Bitch on Wheels post by Debbie Rasmussen on June 7, 2008 - 2:33pm; tagged conferences, democracy, documentary, events, film, hip-hop, masculinity, media justice, media reform, misogyny, movie, National Conference on Media Reform, radical politics, sexism, watch this!.

I was back in Minneapolis this weekend for the National Conference for Media Reform, an annual event organized by the folks at Free Press, a nonpartisan group focused on media reform and policy.

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6 comments

"If a femme falls in the forest..."

Bitch on Wheels post by Debbie Rasmussen on June 2, 2008 - 7:02pm; tagged documentary, events, femme, film, gender identity, movies, queer, sexuality.

This past weekend, we at Bitch were honored to be a community partner in Portland's Queer Documentary Film Festival's screening of FtF: From Female to Femme. QDOC is the only festival in the United States (and apparently one of two worldwide) devoted to queer documentaries, and FtF: From Female to Femme is – to my knowledge – the first feature length documentary that explores the experiences and identities of femme as a queer identity. This lack of femme analysis is a little alarming, considering the breadth and depth of analyses focused on butch, FtM, and other masculine(/queer) identities. But then again, as books like Julia Serano's Whipping Girl: A Transsexual woman on sexism and the scapegoating of femininity illustrate, femme identities and femininity in general continue to be misunderstood and maligned (and in some senses, masculinity so fetishized), so it also makes sense. 

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3 comments

The A-word in popular media: A plea for help

Raising Hell post by Rachel Fudge on March 11, 2008 - 9:09pm; tagged abortion, film, pregnancy, tv.

I feel sheepish asking for reader participation when my own contributions to this neglected blog have been so pathetic. I do hereby swear to post every day for the next week if you all help me out here, okay?

I'm looking for references to abortion or unplanned pregnancy on tv shows or in films over the past year or so. Knocked Up, Waitress, and Juno are, of course, already on the list. What else should be there?

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81 comments

In Defense of Diablo Cody

Love / Shove post by Andi Zeisler on February 22, 2008 - 3:38pm; tagged film, fun with stereotypes.

Much as I had mixed feelings about the film Juno, I just don't understand the massive public hate-on for its screenwriter, Diablo Cody. Okay, she gave herself a stupid pen name. Juno had a couple of overly precious, cringeworthy lines of dialogue. Does that really warrant parodies like these?

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7 comments

Bad(ass) Brains

Bad(ass) Brains
An interview with Marina Zurkow by Ruth Ozeki, published in 2000; filed under Film; tagged animation, Braingirl, cartoons, film, gender bending, sexualization, superheroines.
An Interview with Filmmaker Marina Zurkow, Creator of the Web's Freaky, Fiesty Cerebelle du Jour, Braingirl

I met Marina Zurkow in 1986 on the set of a horror film called Matt Riker: Mutant Hunt. I was the art director. She was hired to be my assistant. It was an entirely inappropriate crewing decision, typical of the low-low budget B-movie genre. I'd never studied art, never been on a film set, and never cared much for horror; Marina had graduated from the School of Visual Arts, she'd propped several films, and she had a true affinity for the horror genre. Needless to say, she saved my ass.

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0 comments

Solid Gold Dancer

An interview with Gina Gold by Siobhan Brooks, Illustrated by Julie Feinstein, appeared in issue Issue #11; published in 2000; filed under Film, Social commentary; tagged directing, Exotic Dancers Alliance, film, Lusty Lady, phone sex, race, racism, self-empowerment, sex work.
Issue #11

gina gold is a writer and filmmaker who spent five years in San Francisco’s sex industry, starting out as a phone sex operator, then becoming an exotic dancer at the Lusty Lady, the Market Street Cinema, and the Mitchell Brothers’ O’Farrell Theater. Her first film, Do You Want Me to Stay?, grew out of an autobiographical one-woman show that she wrote, directed, and performed at the Luna Sea theater last spring. She is currently working on The Island of Misfit Toys, a memoir.

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