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feminist fiction

BiblioBitch: Elissa Schappell's Blueprints for Building Better Girls

Books post by Ann-Derrick Gaillot on July 18, 2012 - 12:59pm; tagged BiblioBitch, book review, feminist fiction, fiction, short stories.

Red book cover with black cherry reading Blueprints for Building Better Girls

Named after a fictional girls' etiquette handbook, Elissa Schappell's 2011 short story collection, Blueprints for Building Better Girls, offers a multi-perspectival, intergenerational portrait of American womanhood. Told with impressive care and patience, the eight stories of the collection inspire a familiar uncertainty at odds with the trite didactic moral lessons the title promises.

The protagonists of the stories are involved in an intricate web of acquaintance. Characters mentioned in passing in one story appear later as main subjects, all the while coping with the shattered illusion of safety that so often pushes people toward adulthood before their time. The collection is bookended with the stories of Heather, the "school slut" whom we see first as a teenager and later as a concerned mother. The six stories in between jump forward and backward in time, examining the characters' set expecations for their own lives versus the realities they face.

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From the Library: Name that Book!

From the Library post by Ashley McAllister on June 10, 2011 - 10:50am; tagged feminist fiction, From the Library.
Black text reads 'Community Lending Library' with an illustration of a book and a pair of glasses off to the right side
Put on those literary thinking caps, 'cause it's time for a game of "First Lines of Feminist Fiction"! Here's how it works: we provide a list of opening lines from feminist fiction and you guess which books the sentences are from. The books are listed at the bottom of the post, so don't scroll too far unless you're ready to check over your answers. Once you've given the game a go, let us know which opening lines are your favorite!
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Adventures in Feministory: Dorothy Allison

History post by Deb Jannerson on April 18, 2011 - 11:15am; tagged Adventures in Feministory, authors, feminist fiction, memoir, poetry, QUILTBAG, sexual abuse, Sister Spit.

adventures in feministory

I am in awe of feminist author and activist Dorothy Allison.

Born in South Carolina in 1949 and now living in California, Allison has attracted numerous accolades in the last thirty years for her six published books. (They include Lambda Literary Awards, ALA Awards for Lesbian and Gay Writing and a ridiculous number of others.) She is the rare writer to reach, in my opinion, wonderful heights in nonfiction, fiction, and poetry, though her two already-released full-length novels, Bastard Out of Carolina and Cavedweller, are her most famous works.

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Iconography: Ursula K. Le Guin, the Model of a Modern Mythmaker

Books post by Chally Kacelnik on December 15, 2010 - 10:55am; tagged feminist fiction, science fiction, women in literature.
I love Ursula K. Le Guin’s writing so much. Who better with whom to finish our trip into feminist science fiction? And how to pick just a few of her works to write about…?!
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Push(back) at the Intersections: Stieg Larsson, Feminist Hero?

Social Commentary post by s.e. smith on August 26, 2010 - 12:01pm; tagged feminism, feminist fiction, Push(back) at the Intersections, Salander, Stieg Larsson.
What makes a work feminist? It's worth answering that before we begin. In some circles, depicting strong female characters resisting sexism is feminist. That's not enough for me. To qualify as a feminist work, I think that something actively needs to include an anti-oppression message, not just an anti-sexist one. A feminist work is one that challenges beliefs and attitudes about race, culture, gender, sexuality, disability, and much, much more. Not necessarily all in the same work or all at the same time, mind you, but I don't give a passing grade to works that are anti-sexist while conveying other -isms.

Your mileage may vary, and for the purposes of these evaluations, I'm looking at work that is considered feminist by society in general, not necessarily by my own standards, which means that these works might not pass my own personal litmus test. Or yours!
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