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Preacher's Daughter: Beth Hart and Joe Bonamassa, Homage or Cultural Appropriation?

Music post by Kristin Rawls on September 28, 2011 - 11:23am; tagged African-American, appropriation, Aretha Franklin, Billie Holiday, cultural appropriation, Etta James, female singers, lady singers, soul music, spirituality, tom waits.

Don't Explain, a collaborative effort between blues revivalists Beth Hart and Joe Bonamassa, hit stores yesterday. It features a range of traditional blues, soul and even gospel classics first made famous by the likes of Billie Holiday, Etta James, Ray Charles and Aretha Franklin. Of course, the intention is homage, but the artists are facing criticisms about cultural appropriation.

The opening track, "Sinner's Prayer" (lyrics) was recorded by both Lowell Fulson and Ray Charles in the 1950s. Here's their version:

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Tuning In: The L Word's Planet and its musical orbiters

TV post by Alyx Vesey on May 5, 2010 - 10:50am; tagged Alice Pieszecki, bisexual women, Carmen de la Pica Morales, DJs, female singers, Goldfrapp, Ilene Chaiken, Kit Porter, Leisha Hailey, lesbians, Pam Grier, Pink Noises, queer, Sarah Shahi, Showtime, Sleater-Kinney, Tara Rodgers, The B-52s, The L Word, The Planet, Tuning In.
Today, I thought I'd turn our attention to Showtime's The L Word. I'll admit that the Los Angeles-based ensemble dramedy created by Ilene Chaiken was marred by over-the-top situations, uneven character development, hackneyed writing, a bevy of skinny femmes, and racially problematic casting decisions. It also featured one of the worst theme songs ever, which was written and performed by BETTY.



However, until the final season I was hooked. I started watching with my girlfriends in college toward the end of Sex and the City's run on HBO (L Word fans may recall that the show's original tag line was "Same Sex, Different City"). I was invested in many of the L Word's characters and their long, interconnected histories with one another. I appreciated the incorporation of lesbian icons through dialogue or cameos, and the attention drawn to lesser-known cultural practices like Dinah Shore Weekend or the prevalence of lesbian nuns. I liked the sex, even though it was often of the lipstick variety. Most of all, I enjoyed the role music played in the women's lives.
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Lady Gaga: "I'm not a feminist. I hail men, I love men."

Music post by Malori Maloney on August 4, 2009 - 10:59pm; tagged antifeminist women, female musicians, female performers, female singers, Lady Gaga.

You see, if I was a guy, and I was sitting here with a cigarette in my hand, grabbing my crotch and talking about how I make music 'cause I love fast cars and fucking girls, you'd call me a rock star. But when I do it in my music and in my videos, because I'm a female, because I make pop music, you're judgmental, and you say that it is distracting. I'm just a rock star.

Are you also a feminist?

I'm not a feminist - I, I hail men, I love men. I celebrate American male culture, and beer, and bars and muscle cars...

Via Feministing.

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