I've never read a single books published by romance giant Harlequin and so I carried Julie Kagawa's The Immortal Rules to the library checkout counter with some trepidation. Would this be a romance novel with a veneer of vampire smeared on top?
When I checked Marie Lu's Legendout of the library, I hoped that the main girl character (June) would be Asian. After all, Lu herself is Chinese, born in China and influenced, as a young child, by the 1989 Tiananmen Square student protests. From the age of five, she lived in the U.S. and, unless she lived in an alternate U.S., probably also didn't see herself reflected in the books on her library and school shelves. So wouldn't she use this opportunity to add one more Asian girl to YA litdom?
In Cinder, the familiar glass slipper story is set in a dystopian future Beijing 126 years after World War IV has ended. Cinder's author, Marissa Meyer, is white. Meanwhile, Chinese-American author Malinda Lo award-winning 2010 retelling of Cinderella, Ash, takes place in a kingdom that resembles a fairy tale Europe.
What do these choices say about each author? How do their ethnic backgrounds affect their retellings?
In this week's episode of Modern Family, "The Kiss," Gloria dreams that her dead grandmother wants her to connect to her roots by preparing traditional foods, despite the fact that, just last episode, we saw Gloria cooking up a shit ton of empanadas. No matter, we need a plot device! And food is a logical choice.