Because I'm not a musician, I'm a writer, I tend to like and analyze and pick at the lyrics of songs. But at the same time, to be any sort of a pop music critic I have to look at the whole package, not just the lyrics. Each part of a pop song is a deliberate choice, and sometimes those choices deliberately contradict one another, undercut one meaning and substitute another, add layer upon layer and give you things to think about with each listen.
You know what's fun about this New York Times article about how the Twilight soundtrack might save the money-hemorrhaging record industry? That it has only one mention of who is most likely to buy tie-in Twilight products.