Making music is work. Rewarding and fun work, to be sure, but work all the same. Like just about everything in a kyriarchy, the divisions of labor in making electronic music lead to an unequal distribution of value, financially, and artistically—who gets paid and how much, and who gets credit and for what.
Women have always been involved in electronic music: behind the scenes producing, as musicians and vocalists, voices being sampled, as djs and dancers. But women's contributions have, as in just about all forms of cultural life, been excluded from the official record, relegated to the marginal, the exception. Read on to see what I'm going to be talking about over the next eight weeks.