The pairing of women's suffrage and Prohibition always seemed to me like another quirky historical coupling, an example of the same group of people simultaneously favoring a critical common-sense idea (universal suffrage) and an unbelievably naïve, moralistic solution to society's problems (Prohibition).
"There is no separation between me and what I photograph," said the artist Nan Goldin. This has never been truer than with the self-portrait that captures her injuries caused by an abusive boyfriend. Domestic violence is never an easy subject to talk about, but this image speaks volumes.
I have spent a lot of time thinking about the silliness of "True Love Waits"-style campaigns, but it never really occurred to me to think about how a child who has been raped might experience these shaming "abstinence-only" discourses. That is to say, this would be particularly cruel, painful, and potentially traumatic for such a child.
Potentially even worse than teen purity rallies, I think, are the "purity balls."
Consider the opening line of this local news video: "Would you pledge your virginity to your father?"
Americana artist Gillian Welch has always included southern Christian imagery in her work. Though not native to the South, her music is at its most comfortable when it explores the tragedy and violence of working-class survival in the region. Welch and partner David Rawlings write and record sparse songs unlike any others. In part, this has to do with Rawlings' masterful guitar work, but it also stems from Welch's unuusal singing voice.
See "The Way it Goes" from new album, The Harrow and the Harvest (lyrics here):
I'm not saying that violence should never be shown or described. We need our movies and TV shows and games and books to address issues of the violence in our culture, and violence against women is included in that. But some of these examples just play into the same old misogyny—without asking anything more of the audience—which is a shame and a missed opportunity.
This post includes spoilers for Inception. It also discusses domestic violence.
There are multiple interpretations of Inception, but for the basis of this discussion I'm going to take the movie at face value. The central story is about Dominic Cobb needing to come to terms with the tragic circumstances of his wife's suicide. Once he is able to let go of his guilt and grief, he escapes limbo and comes back to his children. It's a nice little metaphor about mourning.
Speaking of anticipation: who's looking forward to the release of Bumped by Megan McCafferty? I am, I am! Check out Phoebe North's insightful review in which she describes the dystopian satire as "sex positive" and "a biting comedy with a tender heart."
Jason Linkins recalls a provocative piece about journalism that seeks to create and criticize candidates' personae rather than report on their politics. Sounds like most news stories about female politicians, doesn't it?
Tom Tom Magazine, the magazine for female drummers, is under attack from Tom Tom GPS, since, you know, people might confuse tracking software with one of the only independent publications covering women and music.
Poor Knut. I don't know about you, but I was dismayed to learn of the famous polar bear's passing. As always, this song is for him.
From his anti-Semitic attacks during his 2006 DUI arrest, his homophobic and sexist remarks in interviews, to his racist films, Mel Gibson has long deserved the honor of the Douchebag Decree. The latest allegations against Mel Gibson, though, just might push this super-douche into the hall of shame.
Which celebrity has earned more bad press for reported acts of domestic violence—Chris Brown or Charlie Sheen?
When gossip Web site TMZ.com criticized Brown Jan. 21 for appearing with designer Jean Paul Gaultier, in makeup that made him look bruised and bloodied for a "warrior-themed runway show," visitors to the site accused TMZ of vilifying Brown while giving Sheen a pass for allegedly battering his wife on Christmas.