The Greatest Movie Ever Sold is a perfect display of what Spurlock's brand personality analyst calls his mix of "playful and mindful" qualities. He sells himself with a shit-eating grin, riding the wave of his own charm, which is a force unto itself—fueling the camera equipment, feeding the crew, somehow exempting him from an icky breakdown of integrity even while dressed in a suit jacket cluttered with corporate sponsor decals. He convinces you that the film's corporate doublespeak tagline ("he's not selling out, he's buying in") is actually true, that there is a difference.
I have some misgivings about entering into the fourth week of the series and only now addressing a picture with a transgender protagonist. These concerns are made worse by the cruel dramatic irony that the main character in Southern Comfort is a man who dies of ovarian cancer. It is complicated by the fact that the selection in question is also the first documentary I have considered for the Bechdel Test Canon. I meet most documentaries with incredulity, encountering components like editing with skepticism rather than regarding the finished product as truth.
Wif-pdx (Women in Film-Portland, natch) is part activist organization, part information network, and part event sponsor. This very week, for example, they are joining up with NW Documentaries, another kick-ass grassroots film center in Portland, to screen an as-yet-unfinished documentary called Austin Unbound. And if you're in town, I think you should go see it.
[Warning: MASSIVE SPOILERS for the movie Catfish FOLLOW. It will be much less fun to watch if you have read the spoilers. However, if you don't plan to see it, have already had it spoiled and/or don't care about spoilers, read on.]