Recently, rumors rippled across the Internet that actor Matt Smith, who plays the eleventh Doctor on the long-running BBC series Doctor Who, would be leaving the show. Nothing has been confirmed, but when stories like this pop up on blogs, there’s a flurry in the comments sections about what actor would be the best next Doctor in the beloved series. Rupert Grint, Benedict Cumberbatch, or Andrew Garfield? Meh. Idris Elba? Yes, please! Helen Mirren or Tilda Swinton? That would be incredible!
But while many Doctor Who fans agree that it’s about time for a woman Doctor, some do not.
One could write an entire book about the depictions of queerness in the world of Doctor Who and its spin-off, Torchwood. Sexuality works itself into the mythologies of both shows in complex ways, which is particularly interesting given that Doctor Who is considered a family-oriented show. But since I’m not writing a book, I want to focus today’s discussion of Doctor Who and Torchwood specifically on the character who introduced queerness to the modern “Whoniverse”: Captain Jack Harkness.
Working with early synths, tape loops and found sounds, Delia Derbyshire created unique, groundbreaking music through the '60s and early '70s. In her hands, anything could be musical, and it frequently was.