I have so many thoughts on this film, and only maybe one of them is good. But I think we need to start off with this: The Lone Ranger is just a bad movie. It's 2.5 hours of a film with an identity crisis, not knowing if it's supposed to be funny, campy, dramatic, "authentic," or what. At points it was very hard to separate the stereotypical and hurtful from the bad script, bad editing, and bad character development of the movie itself.
At one point in Disney's new The Lone Ranger, Tonto turns to his companion and describes a massacre against his people, "The rivers ran red with blood." Well, so will this review, because all I felt for a two hours and 29 minutes was anger.
In an issue that will go on sale in August, Archie Comics will feature a kiss between two openly gay characters, Kevin and his boyfriend Devon. The gay kiss (because just like "gay marriage," it can't be just a "kiss," right?) shows how much the 72-year-old Archie Comics company has evolved amid America's cultural changes.
There are all kinds of women warriors in pop culture: The Wonder Woman Amazon, the Black Widow martial arts expert, the Lara Croft tough-as-nails adventurer. And then there's the including equestrian heroines, like Xena: Warrior Princess (1995-2001) and Mulan (1998). Numerous factors influenced the design of these characters—like how well they could be turned into merchandise—but it's interesting that both Xena and Mulan address the same issues of feminiity that female heroes have been have been dealing with since Ancient Greece.
Many young girls are horse-crazy, and advertisers have tapped into this attraction to sell everything from toys to cartoons to bedroom sets. But how do they manage to appeal to rough and tumble tomboys and girlie-girls alike? And where to these ads fit among the feminine stereotypes being sold to young girls?
Before I became a mom at the age of 41, I was many things, including a hip-hop artist. Mostly, I did hip-hop theater, a solo show about fighting sexism in music. But I also rocked many a mic in the club. Little did I know that these skills would come in handy in my new battle against sexism: children's literature.
Based on a true story, the 1991 film Wild Hearts Can't Be Broken tells the story of an orphan girl named Sonora (played by Gabrielle Anwar) whose beloved horse is sold off by her aunt as punishment for Sonora's bad behavior. Sneaking off into the night, Sonora takes to the road in search of a traveling diving horse show. That's right, a TRAVELING DIVING HORSE SHOW!