United States of Tara, a show about a woman with Dissociative Identity Disorder (DID), recently wrapped up its second season. I haven't yet seen it, but I thoroughly enjoyed the first season—I love Toni Collette and Diablo Cody, and there are not a ton of shows about women by women. There are even less shows set in my home state of Kansas. It's a funny, well-written, and on some levels well-executed show.
But, after rewatching and researching the show's origins and authorship in a critical context, I was perturbed to realize that the show's portrayal of disability was not only sensationalistic, but inherently based on appropriatiion. In United States of Tara, DID is used as a metaphor, an analogy, a plot point—part of the human experience, yes, but also an opportunity to speculate, crack jokes, and make grand statements about Life (normal life: that is, with able privilege) and Being A Woman (an everyday woman: that is, one who is not crazy).
So Variety has reported that Diablo Cody (Juno, The United States of Tara) is joining forces with Fox Searchlight to develop a film adapation of the upcoming zombie romance novel Breathers: A Zombie's Lament, about a recently undead man who finds love at a zombie support group. Cody won't be writing or directing the film, but she will be producing.
This is the second horror project that Diablo Cody has recently taken on and it makes me wonder: will she make more room for women in the genre?