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BitchTapes: Feminist Country Music Playlist

Music post by Tiffany Taylor on April 19, 2013 - 2:30pm; tagged BitchTapes, country music.

Country music can be a hard place for women. Lyrics have women being drowned in rivers, abandoned as whores, or obsessed over as angels-in-the-flesh. From the beginning of the Nashville scene, husbands, managers, and music labels kept a tight grip on female performers' money and artistic freedom. In response to the systemic misogyny of popular country music, we give you this playlist that celebrates "putting the cunt back in country." 

Feminist Country Playlist from BitchTapes on 8tracks Radio.

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Kacey Musgraves: The Country Star Who Calls Out Gender Norms

Music post by Katie Presley on April 11, 2013 - 12:44pm; tagged b-sides, country music, kacey musgraves, Nashville, Texas, women in country.

kacey2

Kacey Musgraves is looking to change a mammoth, 44.6 million-albums-sold-last-year music machine from the inside out. And she's going to use pot, homosexuality, and atheism to do it. "EGADS!", one might say. "POT, HOMOSEXUALITY, AND ATHEISM?!" And then one might think for a moment. "No, wait. Those aren't that exciting anymore," one might realize. "Pfffft, Kacey Musgraves, nice try, with your 'controversial' singing music record. NEXT."  But wait. How often do you hear about any of the above in a COUNTRY album? How often are small-town Texas and big-town Nashville starting those conversations? ZING! That's what I thought. Kacey Musgraves is a native of the former, and a product of the latter, and she's changing the genre that made  her one song at a time.

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Gone Country: Five Things to Love (and Five Things to Shove) About Nashville

TV post by Kelsey Wallace on October 11, 2012 - 12:06pm; tagged country music, Nashville, television.
Last night, nine million of us set aside our differences, turned on our TVs, and watched Connie Britton and Hayden Panetierre go country. That's right y'all, it was the premiere of ABC's Nashville, a Music City version of All About Eve with enough rhinestones, twang, and Powers Boothe bitchface to fill the Grand Ole Opry (which they did, because the first few scenes were actually filmed there). In keeping with ABC's reputation for primetime soaps, last night's episode set up plenty of fun hot-people-with-secrets drama, but it also set up a tired Madonna/whore dynamic between its two female leads. Set to a kickass soundtrack, of course.

the cast of Nashville
But who is who?
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B-Sides: Goat and the Feather

Music post by Katie Presley on July 25, 2012 - 11:16am; tagged b-sides, country music, music.

DSC_4499

The advent of Garage Band as a major media outlet for musicians and songwriters has provided a great many opportunities for the reinvention of the earnest acoustic wheel in the last five years or so. Shane and Essy are not reinventing that wheel. They are not inventing twang, they are not inventing milky-smoky vocals, they are not inventing dusty-country-roads guitar accompaniment. But they are making all of those older invetions look (and sound) real good-like.

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Remembering Kitty Wells, Queen of Country Music

Music post by Kelsey Wallace on July 16, 2012 - 1:20pm; tagged b-sides, country music, Kitty Wells.
Kitty Wells holding a guitar and looking at the cameraKitty Wells was an amazing vocalist who paved the way for women in country music for more than seven decades. She'll be missed, but she leaves a tremendous legacy behind.
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Preacher's Daughter: Are There Progressive and Feminist Voices in Country?

Music post by Kristin Rawls on October 7, 2011 - 11:46am; tagged abortion, anti-choice, anti-war, country music, liberal, liberal dudes, mythology, Neko Case, pro-life, religion, Social Justice, The Bible.

A couple of commenters have raised questions about progressiveness in country music. Today, I want to suggest that there are progressive voices, at least in Americana, roots, and alt country music, but those voices are limited. They are almost always white, and usually populist and male. There are a few women in country who arguably identify as feminists. None of these artists are evangelical Christians like some major label country musicians, but faith imagery permeates much of their songwriting. It is often used in visions of a Utopian future, or it takes on a perverse meaning.

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Preacher's Daughter: Women in Country and the Construction of Femininity

Music post by Kristin Rawls on October 4, 2011 - 11:57am; tagged addiction, alcohol, alcoholism, break ups, Carrie Underwood, cheating, Christianity, commercial, compulsory heterosexuality, Country, country music, dixie chicks, female songwriters, guns, lesbian activism, LGBTQ, Loretta Lynn, masculinity, Nashville, religion.

There's a script for women in commercial country music that doesn't necessarily coincide with more mainstream stereotypes and assumptions about women. If you've ever heard Carrie Underwood's ubiquitous 2007 single, "Before He Cheats" (lyrics), you'll recognize the tropes.

Of course there are exceptions, but the ideal country woman is often blond (and white), feisty, world-wise, and hot. She is deeply possessive of her man, and aims to squelch competitors for his affection. She gives the appearance of working-class roots even if she didn't grow up working class, and she's equally comfortable talking about guns (Miranda Lambert's "Gunpowder and Lead"), Jesus (Underwood's "Jesus Take the Wheel"), and heterosexual romantic relationships (Dixie Chicks' "Cowboy Take Me Away").

One of the newer variations on these themes is the girl group Pistol Annies (Miranda Lambert, Ashley Monroe, and Angaleena Presley). Check out the first single of their August LP, Hell on Heels (lyrics):

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Preacher's Daughter: American Civil Religion and Masculinity in Country Music

Music post by Kristin Rawls on September 30, 2011 - 12:02pm; tagged america, Christianity, country music, Johnny Cash, masculinity, militarism, nationalism, religion.

Toby Keith is back with a brand new ode to God and country called "Made in America" (lyrics):


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15 comments

Preacher's Daughter: Gillian Welch's "Dark Turn of Mind"

Music post by Kristin Rawls on September 23, 2011 - 1:35pm; tagged Christianity, class, country music, darkness, domestic violence, gender, Southern art, spirituality, The Bible, the south.

Americana artist Gillian Welch has always included southern Christian imagery in her work. Though not native to the South, her music is at its most comfortable when it explores the tragedy and violence of working-class survival in the region. Welch and partner David Rawlings write and record sparse songs unlike any others. In part, this has to do with Rawlings' masterful guitar work, but it also stems from Welch's unuusal singing voice. 

See "The Way it Goes" from new album, The Harrow and the Harvest (lyrics here): 

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Preacher's Daughter: An Introduction

Music post by Kristin Rawls on September 6, 2011 - 9:35am; tagged artists, blogging, Christianity, country music, female songwriters, folk music, independent music, introductions, Jenny Lewis, Preacher's Daughter, religion, religious right, songs.
My name is Kristin Rawls, and, yes, I am a preacher's daughter. I'm in my early 30s, and I was raised in an unusual blend of Protestant traditions. The preacher (my dad) grew up in the Southern Baptist church, got "saved" during the Pentecostal-influenced "Jesus movement" of the 1970s and ultimately settled in a mainline (not fundamentalist) tradition. My family practiced a confusing mix of them all. The result? I became pretty cynical about the the whole thing.

This blog series is named after blueswoman Michelle Malone's song, "Preacher's Daughter" (transcript here):

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