Anyone who gets geeky about gender, numbers, and comics should check out Ladydrawers today! Writer and artist Anne Elizabeth Moore teams up with a female comics artist to produce comics explore various inequities within the comics industry—from who's being hired, who's being printed, and who's inside the pages (and how fully dressed they are!).
The message of The Rawhide Kid reboot—that there is nothing inherently straight or male about being able to defend oneself or attaining mastery of the "manly arts"—is one I never tire of seeing. But why the explicit content warning?
Earlier this week, DC Comics (who dominates the mainstream comics market along with Marvel) made a real douche move when they announced a "reboot" of their leading characters. This means they'll be ending a large portion of their storylines in August and release 52 first-issues of characters like Batman, Wonder Woman, and the Justice League. They'll be "publishing innovative storylines featuring our most iconic characters" with the assumption that they'll be not just "compelling for existing readers, it'll give new readers a precise entry point into our titles." This has some pretty radical implications for many superhero narratives, but one of the most significant changes is that of Barbara Gordon--aka Oracle.
I enjoyed most of X-Men: First Class. The acting, special effects, and writing were excellent, except possibly the two times Xavier tries to hit on women in bars by saying they have "groovy mutation[s]".
But then again, the whole movie had a cheesy retro vibe to it, with its Cold War setting and costumes (turtlenecks for the men, not much clothing at all for the women) giving it the feel of a cross between X-Men and a Connery-era Bond movie.
Since those early days of running around doing Batman-themed dressup, Batgirl has been my favorite superheroine.
She's less cutesy than the Sailor Scouts, nerdier than Nightshade, wears more clothing than Wonder Woman, and has a greater variety of super abilities than my second-favorite superheroine, Storm (but it's really close, so don't hate on me, X-Men fans).
Today I'm sharing the second part of my interview with the delightful Christine Smith, the very talented artist behind webcomics Eve's Apple and The Princess. Check out the first part here, and then read our conversation about The Princess, flipping the script, and feminism after the jump!
Christine Smith is the author of two webcomics, Eve's Apple and The Princess. Today I'm interviewing her about Eve's Apple (EA), a three-year-old webcomic about the titular Eve and her friends, love interests, enemies, and everything in between. Read our conversation about newspaper comics, fat bodies, and Betty and Veronica below!
Kominsky-Crumb. Gloeckner. Barry. Satrapi. Bechdel. Some of the most well-renowned contemporary female comic artists are all featured in the book Graphic Women: Life Narrative & Contemporary Comics by Hillary Chute, published by Columbia University Press. Chute, an associate professor at University of Chicago (and who helped edit Art Spiegelman's MetaMaus), has written one of the only books out there that specifically looks out how female comic artists tell their story through comics. (And it features a killer cover design by Israeli comics artist Rutu Modan.)