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You know when you come across a super rad zine artist and you're really into their work, then you casually waltz into a comic shop, and you find one or two of their zines from years and years ago, but you get pretty bummed that the zine and comic shops in your area don't have a sufficient selection, so you scour the Internet but can only find so many other things, then you realize you've wasted hours looking for who has the lowest shipping costs? You then proceed to read every interview with them, you learn all you can about their life, then you step back for a minute, and it hits you—maybe you're a little obsessed with the artist and you feel weird about it, but you end up e-mailing them professing your undying love for them and their work anyway? Please tell me this isn't something only I go through.
This month, the Ladydrawers team, led by Anne Elizabeth Moore, is presenting some new data on who's getting published in the comics industry and who isn't. Even though, according to their recent research, the comics creator pool is just 54% male and the submission rates by male and female creators are roughly equal, publishers are more likely to accept work by men—and to commission work from male creators. And non-binary creators? Yeah, they're published even less often.


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